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On Cognition of Musical Grouping: Relationship Between the Listeners' Schema Type and Their Musical Preference

机译:论音乐分组的认识:听众模式类型与音乐偏好之间的关系

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We assume that there are various musical groupings of perceptions according to the degree of schemata and there are two dominant music grouping schemata; (a) accent-oriented grouping schema and (b) phrasing schema (musical expression referred to as the Rainbow type). In order to verify these hypotheses, we investigated how listeners' groupings change when the inner voice of Beethoven's Piano Sonata "Pathetique" was replaced with chords. We eventually succeeded in identifying three listening groups; those who have a strong (a) schema (type A), those whose (a) is prior to (b) (type AF), and those whose (b) is prior to (a) while paying attention to their inner voice (type FA_I). We verified that type A listeners prefer Rap music, Rock music, listening in a lively place, listening to party music, and listening to lyrics, while type FA_I listeners prefer Bach, Chopin, and listening alone and quietly.
机译:我们假设根据模式的程度,有各种乐观的感知,并且有两个主导的音乐分组模式; (a)面向强调的分组模式和(b)措辞模式(音乐表达称为彩虹类型)。为了验证这些假设,我们调查了当贝多芬的钢琴奏鸣曲“Pathetique”的内在声音被和弦取代时,他们调查了听众的分组如何变化。我们最终成功地确定了三个听力群体;那些具有强大(A)架构(A型)的人,其中(a)之前(b)(型af),以及(b)之前(a)的那些,同时关注其内心声音(类型fa_i)。我们验证了一个倾听者更喜欢说唱音乐,摇滚音乐,在一个热闹的地方听,听着派对音乐,听歌词,而FA_I倾听者喜欢Bach,Chopin和单独聆听的歌词,互动。

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