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Acting in Virtual Reality

机译:表演虚拟现实

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摘要

Three pairs of professional actors and a director each met in a shared non-immersive virtual reality system over a two-week period to rehearse a short play. The actors and director never met one another physically until a short time before a live rehearsal in front of an audience. The actors were represented by avatars which could be controlled to make a range of facial expressions, and some body movements, including navigation through the space. The study examined the extent to which virtual reality could be used by the actors and director to rehearse their later live performance. Four indicators captured by questionnaires show that over the period of the four days their sense of presence in the virtual rehearsal space, their co-presence with the other actor, and their degree of cooperation all increased. Moreover their evaluation of the extent to which the virtual rehearsal was similar to a real rehearsal also increased. Debriefing sessions with the actors and director are reported, which suggest that a performance level was reached in the virtual rehearsal which formed the basis of a successful live performance.
机译:三对专业的演员和董事各自在共同的非沉浸式虚拟现实系统中遇到了一个两周的时间,以排练一个短暂的戏剧。行动者和导演从未在身体上遇到彼此,直到在观众面前的活排练前一小段时间。演员由化身代表,可以控制,以制作一系列面部表情,以及一些身体运动,包括通过空间导航。该研究检测了演员和董事可以使用虚拟现实的程度,以排练其后期的现场表现。问卷捕获的四个指标表明,在四天内,在虚拟排练空间的存在感,他们与其他演员的共同存在,以及他们的合作程度都增加了。此外,他们对虚拟排练的程度与真正排练的程度也增加了。报告了与演员和主任的汇报会议,这表明在虚拟排练中达到了绩效水平,这些速度达到了成功的现场表现的基础。

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