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Ontological Approach to Aesthetic Feelings:A Multilingual Case of Cutism

机译:审美观的本体论方法:多语言的文化主义案例

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摘要

This paper outlines how the Sensibility-Aesthetics Ontology project aims to construct a comprehensive knowledge-base of sensibility-aesthetics related concepts. The target of the current paper is to examine 'kawaii' (cutism) in Japanese and Chinese culture. Using a combination of four methodologies (meta-analysis of dictionary definitions, quantitative analysis of linguistic usage, content analysis of voluntarily produced text containing the target concept, and structured interviews concerning the cognitive components of the target concept), cognitive components of the concept were formalized into a frame structure. The typical frame for Japanese cutism is: experiencer - mother, female, male; user - female; appraisal - small, weak; object - girl, baby, infant, pet, everyday things, animal, plant; subjective experience - attachment, charmed; action inclination - protect, possess, emotion share, conceal. Chinese cutism has similar framing terms although the 'object' component has far fewer variants than Japanese. As an application of the constructed cutism ontology, an analysis of the cutism words used in the novels of Haruki Murakami was discussed.
机译:本文概述了“感官美学本体”项目旨在如何构建与感官美学相关概念的综合知识库。本文的目标是研究日本和中国文化中的“卡哇伊”(cutism)。结合四种方法(词典定义的元分析,语言用法的定量分析,包含目标概念的自愿生成文本的内容分析以及与目标概念的认知成分有关的结构化访谈),该概念的认知成分为正式化为框架结构。日本割礼的典型框架是:体验者-母亲,女性,男性;用户-女性;评估-小,薄弱;对象-女孩,婴儿,婴儿,宠物,日常用品,动物,植物;主观经验-依恋,神往;行动倾向-保护,拥有,分享情感,隐瞒。尽管“宾语”成分的变体比日语少得多,但中国的残酷主义者具有类似的取景术语。作为构造的本体论本体的一种应用,对村上春树小说中使用的本体论词语进行了分析。

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