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Research on Chinese Traditional Handicraft Education Expansion Model Based on STEAM

机译:基于STEAM的中国传统手工艺教育扩展模型研究。

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Nowadays China has some problems with the application of STEAM education. STEAM education in China have its limitations: A(Art) is always detached from STEAM, falling into a secondary position, which does certainly adverse to the exploration of creativity and the improvement of comprehensive ability. Besides, since Chinese traditional handicrafts have profound humanistic heritage and cultural connotations, they could be used as high-quality teaching resources, but lack the educational forms and teaching contents that meet the demands of the era and are easily accepted by the public. Especially for traditional handicraft teaching, due to the one-sidedness of teaching content, the passive nature of teaching methods and the conventional non-cooperative teaching form, participants can only experience the production process in a short period, but lack awareness of the history and diversity of traditional crafts. We put forward the research and practice of the STEAM class extended curriculum with the theme of traditional handicrafts based on the STEAM education framework. From the four dimensions of knowledge, ability, thinking and innovation, the participants' ability to innovate and apply traditional handicrafts are significantly enhanced, thereby we could gradually improve the participants' individualized perception of traditional handicrafts, provide time-oriented and cultural teaching contents for STEAM extended curriculum in China, new development ideas, and models for current traditional handicraft teaching. This paper takes Cantonese Porcelain as an example to explore the STEAM extended curriculum. We designed and organized the intelligent handicraft innovation workshop, and systematically discussed how to design the teaching content and education practice based on the multi-level extended education model of STEAM education framework.
机译:当今中国,STEAM教育的应用存在一些问题。中国的STEAM教育有其局限性:A(艺术)始终与STEAM脱节,处于次要地位,这无疑不利于创造力的探索和综合能力的提高。此外,由于中国传统手工艺品具有深厚的人文底蕴和文化底蕴,可以作为优质的教学资源,但缺乏能够满足时代需求,易于为大众所接受的教育形式和教学内容。特别是对于传统手工艺教学,由于教学内容的单一性,教学方法的被动性以及传统的非合作教学形式,参与者只能在很短的时间内体验到制作过程,却缺乏对历史和文化的认识。传统工艺的多样性。基于STEAM教育框架,以传统工艺品为主题,提出STEAM课的扩展课程的研究与实践。从知识,能力,思维和创新四个方面,显着提高了学员创新和运用传统手工艺的能力,从而可以逐步提高学员对传统手工艺的个性化认识,为学员提供面向时间的文化教学内容。 STEAM扩展了中国的课程,新的发展思路和当前传统手工艺教学的模式。本文以广东瓷为例,探讨STEAM扩展课程。我们设计并组织了智能手工艺品创新研讨会,并系统地讨论了如何基于STEAM教育框架的多层次扩展教育模型来设计教学内容和教育实践。

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