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Is it turquoise + fuchsia = purple or is it turquoise + fuchsia = blue?

机译:是绿松石+紫红色=紫色还是绿松石+紫红色=蓝色?

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The first step in communicating color is to name it. The second step is color semiotics. The third step is introducing structure in the set of colors. In color education at all levels, this structure often takes the form of formulae, like red + green = yellow, or turquoise + red = black. In recent times, Johannes Itten's color theory and its associated color wheel have been very influential, mostly through its impact on Bauhaus, although a number of color order systems and circles have been introduced over the centuries.rnStudents get confused when they are trying to formulate the color name arithmetic using the structure of color order systems and concepts like complementary colors and opponent colors. Suddenly turquoise + fuchsia = purple instead of blue; purple and violet become blurred, and finally the student's head explodes under the epistemological pressures of Itten, Albers, Goethe, Runge, Newton, da Vinci, and all the other monsters of color structure.rnIn this contribution we propose a systematic presentation of structure in color, from color theories to color naming. We start from the concept of color perception introduced by da Vinci and work ourselves through color measurement, color formation, and color naming, to develop the basis for a robust system based on table lookup and interpolation.rnOne source of confusion is that color naming has been quite loose in color theory, where for example red can be used interchangeably with fuchsia, and blue with turquoise. Furthermore, common color terms are intermingled with technical colorant terms, for example cyan and aqua or fuchsia and magenta. We present the evolution of a few color terms, some of which have experienced a radical transition over the centuries, and describe an experiment showing the robustness of crowd-sourcing for color naming.
机译:传达颜色的第一步是对其进行命名。第二步是颜色符号学。第三步是在颜色集中引入结构。在各个层次的色彩教育中,这种结构通常采用公式的形式,例如红色+绿色=黄色,或绿松石+红色=黑色。近年来,约翰内斯·伊滕(Johannes Itten)的色彩理论及其相关的色轮在很大程度上影响了包豪斯(Bauhaus),尽管数百年来引入了许多色阶系统和圆圈,但它们的影响很大。使用颜色顺序系统和互补色和对立色等概念的颜色名称算术。突然绿松石+紫红色=紫色而不是蓝色;紫色和紫色变得模糊起来,最后学生的头部在Itten,Albers,Goethe,Runge,Newton,da Vinci和所有其他颜色结构的怪物的认识论压力下爆炸。颜色,从颜色理论到颜色命名。我们从达芬奇(Da Vinci)引入的颜色感知概念开始,通过颜色测量,颜色形成和颜色命名工作,以开发基于表查找和插值的健壮系统的基础。rn一个混淆的根源是颜色命名具有在色彩理论上一直很松散,例如红色可以与紫红色互换使用,而蓝色可以与绿松石互换使用。此外,常见的颜色术语与工业着色剂术语混合在一起,例如青色和浅绿色或紫红色和洋红色。我们介绍了一些颜色术语的演变,其中一些颜色术语在几个世纪中经历了根本性的转变,并描述了一个实验,该实验显示了用于颜色命名的众包的鲁棒性。

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