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Work and Teamwork: Notes on Collaborative Practice in the 20th Century

机译:工作与团队合作:20世纪合作实践笔记

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This paper is a historical study which discusses four selected examples from the History of Collaborative Practice in the 20th century. The primary objective is to introduce new information to the Architectural Engineering profession, and to students who may seek positive models of interdisciplinary collaboration from history. A secondary objective is to expand the discourse in Architectural History to be inclusive of modes of practice. Examples studied are: Highpoint One by Berthold Lubetkin and Ove Arup (London, 1933-1935); David S. Ingalls Rink by Eero Saarinen and Fred Severud (New Haven, 1956-1958); One-Family Homes by Renzo Piano and Peter Rice (Milan, 1972-1974); and Downland Gridshell by Cullinan Studio and Buro Happold (Sussex, 1996-2002). A few key conclusions are developed. First, architects and engineers interested in collaborative practice generally possess a broader cultural or 'philosophical' view of the disciplines, often grounded in the classics. Second, long-term highly-integrative practices are created by charismatic individuals who value collaboration and then create a culture which persists and transcends the individual. And finally, good interdisciplinary collaborations seem to produce all kinds of formal outcomes; the notion of integration implies nothing about the 'style' or morphology of the building.
机译:本文是一项历史研究,讨论了20世纪合作实践史中的四个精选实例。其主要目的是向建筑工程专业以及可能从历史中寻求跨学科合作的积极模式的学生介绍新信息。第二个目标是扩大建筑史的论述范围,使其包括实践模式。研究的例子有:Berthold Lubetkin和Ove Arup创作的Highpoint One(伦敦,1933-1935); Eero Saarinen和Fred Severud的David S. Ingalls Rink(1956-1958年,纽黑文);伦佐·皮亚诺(Renzo Piano)和彼得·赖斯(Peter Rice)的独户房屋(米兰,1972-1974年); Cullinan Studio和Buro Happold撰写的《 Downland Gridshell》(苏塞克斯,1996-2002年)。得出了一些关键结论。首先,对协作实践感兴趣的建筑师和工程师通常对学科具有更广泛的文化或“哲学”观点,通常基于经典。第二,具有超凡魅力的个人创造了长期的高度融合的做法,他们重视协作,然后创造了一种持续存在并超越个人的文化。最后,良好的跨学科合作似乎会产生各种形式的成果。集成的概念与建筑物的“风格”或形态无关。

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