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Robust hypercardioid synthesis for spatial audio capture: microphone geometry, directivity and regularization

机译:用于空间音频捕获的可靠的心形合成:麦克风的几何形状,方向性和正则化

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Frequency-invariant beamformers are useful for spatial audio capture since their attenuation of sources outside the look direction is consistent across frequency. In particular, the least-squares beamformer (LSB) approximates arbitrary frequency-invariant beampatterns with generic microphone configurations. This paper investigates the effects of array geometry, directivity order and regularization for robust hypercardioid synthesis up to 15th order with the LSB, using three 2D 32-microphone array designs (rectangular grid, open circular, and circular with cylindrical baffle). While the directivity increases with order, the frequency range is inversely proportional to the order and is widest for the cylindrical array. Regularization results in broadening of the mainlobe and reduced on-axis response at low frequencies. The PHASS toolkit was used to evaluate perceptually beamformed speech signals.
机译:频率不变波束形成器可用于空间音频捕获,因为它们在视线方向之外的源的衰减在整个频率上是一致的。特别地,最小二乘波束形成器(LSB)可以近似采用通用麦克风配置的任意频率不变波束图案。本文使用三种2D 32麦克风阵列设计(矩形栅格,空心圆形和带有圆柱挡板的圆形),研究了阵列几何形状,方向性顺序和正则化对LSB稳定的15阶心形心音合成的影响。虽然方向性随阶数增加,但频率范围与阶数成反比,并且对于圆柱阵列而言,频率范围最宽。正则化会导致主瓣加宽并降低低频处的轴上响应。 PHASS工具包用于评估感知波束形成的语音信号。

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