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The Hands Behind the Cans

机译:罐头后面的手

摘要

The aim of this paper is to provide a consistent typology of graffiti writers, offering a comprehensive picture of whose are the hands behind the graffiti cans. This serves a double level purpose: advancing at the theoretical level putting forward the sociocultural approaches to careers and social backgrounds provided by ethnographic approaches, as well as capturing the complexity of the phenomenon to serve as an operative conceptual basis for practitioners, professionals and decision makers.ududIn doing so, the analysis is made on the transcripts obtained for 22 semi-structured interviews, carried out in the four participating countries. The transcripts have been analysed according to the “persona” methodology, which constitutes a systematic and novel approach and a qualitative technique for clustering information. As a result, three main categories have been defined according to important ambitions, challenges and stages of typical ‘journeys’ or ‘pathways’ of actors. These findings contribute to form a basis of a) highlight the misconceptions around graffiti as a petty crime, and b) offer a guide to understand graffiti writers under a socio-cultural perspective.
机译:本文的目的是提供一种一致的涂鸦作者类型,提供有关涂鸦罐背后幕后黑手的全面描述。这具有双重目的:在理论层面上提出人种学方法所提供的针对职业和社会背景的社会文化方法,并抓住这一现象的复杂性,为从业者,专业人员和决策者提供可操作的概念基础。 。 ud ud为此,对在四个参与国进行的22次半结构化访谈所获得的成绩单进行了分析。笔录已根据“角色”方法进行了分析,该方法构成了一种系统且新颖的方法以及一种用于聚类信息的定性技术。因此,根据演员的典型“旅程”或“道路”的重要抱负,挑战和阶段,已经定义了三个主要类别。这些发现构成了以下方面的基础:a)突出了对涂鸦是小犯罪的误解,b)提供了从社会文化角度理解涂鸦作者的指南。

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