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The Chilean national identity and the indigenous peoples of Chile

机译:智利的国民身份和智利的土着人民

摘要

This research was prompted by the questions 'What is being Chilean?, Who are tile Chileans? Do all those born in the country feel the same about their nationality and about their fellow nationals? A large number of Chileans will describe their country as culturally and ethnically homogenous, probably because they do not include the native peoples in their description; least of all would they acknowledge that mestizo blood runs in their veins. Therefore, my objective has been to deconstruct the myth homogeneity in the Chilean identity. Moreover, this research, which started as an exploration into tile complex terrain of tile Chilean identity, finally turned into a rather painful soul-searching process. It is obvious that having been born in Chile, it was impossible for me not to become involved, not to feel touched more than once, not to feel guilty more than once. The identities of the indigenous peoples and the descendants of Spanish colonisers have been profoundly transformed during 500 years of social, cultural and political change. Tile rise of the nations states and tile construction of national identities after the wars of Independence were key moments for Latin America, but although no longer tinder colonial rule, the social and cultural differences between 'Indians' and Spaniards continued into the republic, based on the imagined superiority of the Spanish culture, language and religion. Currently Chile, where in recent times - and in the past as well - the military played a crucial role, is in a process of globalisation and reconstruction of the national identity. The research was framed by the understanding that the imagined community of the nation is formed by 'us' and 'them', and a distinction which does not indicate a binary opposition but a complex articulation which both supports and fractures tile nation. In the imagined community of tile Chilean nation identities are multiple and cultures are multiple too. They are constituted in relation to dimensions such as history, place and culture. Geography, in Chile, is also a defining marker of national identity that does not imply inert geography, but an essential dimension in the cultural and social dynamics of tile nation. I challenge the view, long sustained by many Chileans that their country is culturally and ethnically homogeneous. In order to achieve this end I explore the 'skeleton in the cupboard' of the Chilean identity, that is to say, their mestizo origin. With that objective in mind, this research was conceived as a contribution to make Chileans come to terms with the fact that they have some amount of 'Indian' blood in their veins. Only when they are able to take that step, will they be able to appreciate and take pride in the ancient cultures they descend from because in that way they will shed light into that dark comer of their identity. National communities are not only in people's heads or in the imagination of a nation of citizens, but are projected and articulated through channels like the media and educational practice; they are also embodied and practised. From the moment that identity is conceived, not as a fixed ethos formed in a remote past, but as a future project, Chileans great challenge now is to define what they want to be. There may be different projects, alternative proposals and different versions of national identity that will lead on to different roads, but they must include a notion of collective identity that is open to alterity, invention and transgression and also a diversity that Chileans have so far refused to accept.
机译:这项研究是由以下问题引发的:“什么是智利人?谁是智利人?该国所有出生的人对自己的国籍和同胞有同感吗?许多智利人将自己的国家描述为文化上和种族上是同质的,可能是因为他们的描述中没有包括土著人民。至少他们会承认混血在他们的静脉中流动。因此,我的目标是解构智利身份中的神话同质性。此外,这项研究始于对智利身份的复杂地形的探索,最终变成了一个相当痛苦的灵魂探索过程。很明显,我出生在智利,我不可能不参与其中,不被感动一次以上,不感到内感一次以上。在500年的社会,文化和政治变革中,土著人民和西班牙殖民者的后代的身份发生了深刻的变化。独立战争后,各民族国家的崛起和民族身份的建设是拉丁美洲的关键时刻,但尽管不再是殖民地统治,但“印第安人”和西班牙人之间的社会和文化差异仍持续到共和国。西班牙文化,语言和宗教的想象中的优越性。目前,在最近以及过去,智利在军队中发挥着至关重要的作用,而智利正在全球化和重建民族认同的过程中。这项研究的构架是基于这样的理解,即想象中的国家共同体是由“我们”和“他们”组成的,这种区别并不表示二元对立而是表示支持和分裂民族的复杂关节。在想象中的瓷砖社区中,智利的民族身份是多种多样的,文化也是多种多样的。它们的构成与历史,地方和文化等维度有关。智利的地理也是国家身份的定义标志,它并不意味着地理惰性,而是瓷砖国家文化和社会动态中的重要方面。我对许多智利人长期以来一直认为自己的国家在文化和种族上是统一的观点表示质疑。为了实现这一目标,我探索了智利身份的“橱柜骨架”,即它们的混血儿起源。考虑到这一目标,这项研究被认为有助于使智利人了解他们的静脉中有一些“印度”血。只有当他们能够迈出这一步时,他们才能够欣赏和自豪于他们所起源的古老文化,因为那样一来,他们就会向身份认同的黑暗角落发光。民族社区不仅在人们的头脑中,或者在一个公民国家的想象中,而且通过媒体和教育实践等渠道进行投射和表达;它们也得到体现和实践。从构想身份的那一刻起,智利人就不再是遥远的过去所形成的固定的风气,而是作为未来的项目,现在面临的巨大挑战是定义他们想要成为的人。可能会有不同的项目,替代性建议和不同版本的民族认同,这将通往不同的道路,但是它们必须包含集体认同的概念,这种观念易于改变,发明和违法行为,而且迄今为止智利人拒绝接受多样性接受。

著录项

  • 作者

    Donoso María Elena;

  • 作者单位
  • 年度 2004
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  • 原文格式 PDF
  • 正文语种 English
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