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Painterly rendered portraits from photographs using a knowledge-based approach

机译:使用基于知识的方法从照片中绘画肖像

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摘要

Portrait artists using oils, acrylics or pastels use a specific but open human vision methodology to create a painterly portraitof a live sitter. When they must use a photograph as source, artists augment their process, since photographs have: differentfocusing - everything is in focus or focused in vertical planes; value clumping - the camera darkens the shadows and lightensthe bright areas; as well as color and perspective distortion. In general, artistic methodology attempts the following: from thephotograph, the painting must u27simplify, compose and leave out what?s irrelevant, emphasizing what?s importantu27. Whileseemingly a qualitative goal, artists use known techniques such as relying on source tone over color to indirect into asemantic color temperature model, use brush and tonal "sharpness" to create a center of interest, lost and found edges tomove the viewers gaze through the image towards the center of interest as well as other techniques to filter and emphasize.Our work attempts to create a knowledge domain of the portrait painter process and incorporate this knowledge into a multispaceparameterized system that can create an array of NPR painterly rendering output by analyzing the photographic-basedinput which informs the semantic knowledge rules.
机译:使用油,丙烯酸或蜡笔的肖像画家使用特定但开放的人类视觉方法来创建现场保姆的绘画肖像。当他们必须使用照片作为来源时,艺术家会增加他们的处理过程,因为照片具有:不同的聚焦-一切都聚焦或聚焦在垂直平面上;价值凝聚-相机使阴影变暗,使明亮的区域变亮;以及颜色和透视图失真。一般而言,艺术方法论试图做到以下几点:从照片上,绘画必须简化,构图,并省略不相关的内容,强调重要的内容。尽管看似是定性的目标,但艺术家仍使用已知的技术,例如依靠颜色上的源音调间接进入高感度色温模型,使用画笔和色调的“清晰度”来创建感兴趣的中心,丢失和发现的边缘以使观看者凝视图像我们的工作尝试创建肖像画家过程的知识领域,并将此知识整合到一个多空间参数化系统中,该系统可以通过分析摄影来创建NPR绘画渲染输出的阵列-based的输入,通知语义知识规则。

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  • 作者

    DiPaola Steve;

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  • 年度 2007
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  • 原文格式 PDF
  • 正文语种 English
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