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Whose muse? Sappho, Swinburne and Amy Lowell

机译:谁的缪斯?萨福,斯温本和艾米·洛厄尔

摘要

Swinburne’s influence on a number of modernist writers has been remarked upon in several relatively recent critical studies. For example, the modernist poets H. D. and T. S. Eliot provide the focus for comparative studies by Cassandra Laity (1996) and Thaïs. E. Morgan (1993). In this essay, I propose that the American modernist poet Amy Lowell (1874-1925) should be included in this list, arguing that her work exhibits a number of similarities to Swinburne’s poetry. These similarities stem from Swinburne and Lowell’s shared understanding of Sappho as an important poetic precursor, muse figure, and homoerotic archetype. I argue that Sappho’s influence on Swinburne and Lowell is instrumental in creating an anxiety that subsequent readers and critics ‘ward off’ by ‘forgetting’ their poetic corpuses. This results in the devaluation and neglect of both poets despite their considerable contributions to poetry.
机译:斯威本对许多现代主义作家的影响在最近的一些批判研究中已经提到。例如,现代主义诗人H. D.和T. S. Eliot提供了Cassandra Laity(1996)和Thaïs进行比较研究的重点。 E. Morgan(1993)。在本文中,我建议将美国现代派诗人艾米·洛厄尔(Amy Lowell(1874-1925))包括在这份名单中,理由是她的作品与斯威本的诗歌表现出许多相似之处。这些相似之处源于Swinburne和Lowell对Sappho的共同理解,Sappho是重要的诗意先驱,缪斯形象和同性原型。我认为,萨福(Sappho)对斯温本(Swinburne)和洛厄尔(Lowell)的影响有助于制造一种焦虑,此后的读者和评论家通过“忘却”他们的诗意语料来“躲开”。尽管两位诗人对诗歌做出了巨大的贡献,但这导致两位诗人的贬值和忽视。

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    Parker Sarah L.;

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  • 年度 2013
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