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Integrating optical imaging and digital processing for nondestructive diagnosis of artifacts

机译:光学成像和数字处理相结合,可对工件进行无损诊断

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摘要

Optical imaging is one of the less expensive and less invasive techniques to capture information from tangible cultural heritage. An additional advantage is that it is faster than many other methods, providing comprehensive maps of the quantities under study in just one or a few steps. More specialized techniques, such as chemical analysis or spectroscopy, are capable of much more accurate and reliable measurements; on the one hand, however, these pointwise techniques often need a panoramic pre-diagnostics to find the areas of interest; on the other hand, diversity imaging complemented by appropriate processing techniques is often able to extract information that can well provide for the diagnostic needs at hand. In this presentation 3D and multispectral imaging are treated, since 3D spatial and spectral data allow us to extract information on the conservation, the structure and the composition of the object studied. Moreover, details that are invisible to the naked eye can emerge without damaging the object. For example, IR light can penetrate the surfaces, thus revealing invisible details such as pentimentos, sinopias or underdrawings in paintings. Also, by IR light we can distinguish different materials, such as iron- and carbon-based inks in ancient documents, or reveal the presence of biological or non-biological contaminants. As another example, an UV-fluorescence image can discriminate between apparently similar pigments, thus helping the historical and critical study of the artifact. 3D imaging, finally, allows us to study an object through its digital model, thus determining its deformation, the presence of flaws or cracks, and other features. Many of the possibilities mentioned are now long established [1]. What is relatively new in cultural heritage conservation is the integrated use of all the available channels together, to extract information patterns that are not detectable in any of the channels if analyzed alone. To this end, we have been studying and employing a number of processing algorithms that are capable of transforming the "color" layers in the raw image to coherent "information" layers in the processed output, sometimes with the help of the associated 3D information [2]. These algorithms range from the necessary multiple spatial colocation, through simple color space manipulation, to sophisticated statistical procedures applied to both the spectral and the spatial features of the input image. We also built an integrated 3D-multispectral capture system [3]. In this presentation, we describe this system and the numerical procedures we have been using in several applications, and report the results obtained in some real case studies.
机译:光学成像是从有形文化遗产中捕获信息的一种较便宜且侵入性较小的技术。另一个优点是,它比许多其他方法快,只需一个步骤或几个步骤即可提供研究数量的全面地图。更专业的技术,例如化学分析或光谱学,能够进行更加准确和可靠的测量。但是,一方面,这些逐点分析技术通常需要进行全景预诊断才能找到感兴趣的区域。另一方面,以适当的处理技术为补充的多样性成像通常能够提取出可以很好地满足当前诊断需求的信息。在本演示中,将处理3D和多光谱成像,因为3D空间和光谱数据使我们能够提取有关所研究物体的守恒,结构和组成的信息。此外,可以出现肉眼不可见的细节而不会损坏对象。例如,红外光可以穿透表面,从而露出绘画中的不可见细节,例如青铜像,西诺比亚或底纹。同样,通过红外光,我们可以区分不同的材料,例如古代文献中的铁基和碳基油墨,或揭示出生物或非生物污染物的存在。作为另一个示例,紫外线荧光图像可以区分表面上相似的颜料,从而有助于对伪像的历史和批判性研究。最后,3D成像使我们能够通过其数字模型研究对象,从而确定其变形,缺陷或裂缝的存在以及其他特征。提到的许多可能性现在已经很久了[1]。在文化遗产保护中,相对较新的是将所有可用渠道整合在一起使用,以提取如果单独进行分析就无法在任何渠道中检测到的信息模式。为此,我们一直在研究和采用许多处理算法,这些算法有时可以借助关联的3D信息将原始图像中的“颜色”层转换为处理后的输出中的相关“信息”层。 2]。这些算法的范围从必要的多个空间共置(通过简单的色彩空间操作)到应用于​​输入图像的光谱和空间特征的复杂统计程序。我们还构建了一个集成的3D多光谱捕获系统[3]。在此演示文稿中,我们描述了该系统以及我们已在多个应用程序中使用的数值过程,并报告了在一些实际案例研究中获得的结果。

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