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The apocalyptic-eschatological drama of Jesus in the Fourth Gospel : an investigation into the Johannine Christology and eschatology with special reference to John 12.20-36

机译:耶稣在第四福音中的世界末日戏剧:对约翰福音书的基督教和末世论的调查,特别参考约翰12.20-36

摘要

In this thesis we will explore the question of Jesus' revelation as a central motif of the Johannine Christology from the perspectives of literary criticism, Jewish apocalypticism and Graeco-Roman dramatic literature. In particular, we will attempt to solve the riddle of the visions developed in John 12.20-36, by answering the fragmentary theoryudof the text, the claim for the divergent christologies, the question of realised eschatology with or without future eschatology, and the claim that the Johannine community itsudsymbolic world creates is 'sectarian'. A special attention will be paid to the Son of manudas presented in the pericope under discussion as well as in the Fourth Gospel as audwhole. The thesis will be summarised as follows: ud1. Over against the fragment theory, the concentric arrangement of Jesus' sayingudformed predominantly in parallelism shows a deliberate literary design of the author.udSet at the end of the earthly ministry of Jesus, John 12.20-36 is a culminating point ofudthe revelatory process of Jesus.ud2. The overall conceptual framework to understand John 12.20-36, and thus theudFourth Gospel as a whole, is the apocalyptic idea of the divine mysteries concerning theud.end time. The revelation is centred on Jesus the Son of man, identified as the human-like figure of Dan 7, which culminates in his cross as his glorification/lifting-up. Theudvision of the revealed mysteries in Jesus on the cross embraces the eschatological Messiah, the restoration of Israel and of the Temple, salvation, the vindication of theudrighteous and the condemnation of the evil, and the Gentiles' pilgrimage, which isudcomparable to contemporary Jewish apocalyptic writings.ud3. The cross of Jesus as the focus of the apocalyptic vision of the end time liesudbehind the apparently divergent christologies (the Son of man, the Davidic Messiah,uddivine Wisdom), which are integrated in the text in such a manner that it is impossibleudfor each to be understood in isolation. The combination of these is already found in theudJewish apocalyptic-eschatological hope. The fact that the lifting-up and glorification ofudthe Son of man is given precedence to the Davidic Kingly Messiah deprives a politicaludand military aspect of the popular Jewish expectation.ud4. At the same time, the revelatory pattern of the Johannine Jesus is not onlyudexplicable in Jewish apocalyptic terms, but it has to be understand in view of the anagnorisis, a popular Graeco-Roman dramatic convention. Within the main plot of theudFourth Gospel Jesus is depicted as the divine homecoming hero-king, as in Homer'sudOdyssey, whose messianic identity is closed to many and disclosed to those whoudreceive him with faith (and hospitality). This pattern is relevant for most of the Johannine Son of man sayings as well. In this plot development John 12.20-36 is situated inuda climactic place where the Jewish crowd fails to recognise Jesus who points to theuddecisive moment of his revelation on the cross.ud5. The Johannine Eschatology is Jesus centred, and its realised aspect is stronglyudemphasised, because the eschatological terminology is overwhelmingly applied to him.udThus Jesus on the cross is the embodiment of the eschaton. At the same time, the post-Easter period, the time of the church, is open toward its future culmination because ofudthe mission perspective.ud6. The revelation of Jesus as the core of the divine mysteries concerning the end-time centres on the cross, which is presented as both the judgement and the salvation ofudthe world. The Johannine understanding of the cross is expressed within the frameworkudof the vindication/exaltation of the suffering righteous. It is implied that Jesus' deathudand resurrection inaugurates the new, eschatological covenant for the new people ofudGod embracing both Jews and Gentiles.ud7. John 12.20-36 envisages an apocalyptic vision of the end-time judgement andudsalvation, in which the new covenant people is created as a new people of God. Theudbasis of the new 'children of the Light' is no longer the Law as in the old covenant butudthe faith in Jesus the Light (and to love each other as a new law). This faith is not individualistic but geared towards community building, which includes the believers fromudthe Gentiles. The community itself is the result of the cross of Jesus. The purpose ofudJesus' death for 'bearing much fruit' and gathering of 'all' (nations) to his own houseudis to be accomplished in the community through its mission to the world, despite theudprobable persecutions.
机译:在这篇论文中,我们将从文学批评,犹太末日论和希腊罗马戏剧文学的角度探讨耶稣启示作为约翰·克里斯蒂安基督教学的中心主题的问题。特别是,我们将通过回答文本的零碎理论,对不同基督教的主张,在有或没有未来末世论的情况下实现的末世论问题,以及在约翰福音12.20-36中提出的异象,试图解决这个谜团。宣称其世界体系创造的约翰尼社区是“宗派主义者”。将特别注意在讨论中的pericope和《第四福音》中提到的“人类之子”。本文将总结如下: ud1。相对于碎片理论,耶稣的话语的同心排列主要在并行性中变形,显示了作者的故意文学设计。 ud在耶稣尘世事工的末端,约翰12.20-36是 udthe的高潮点。耶稣的启示过程。 ud2。理解约翰福音12.20-36以及整个《第四福音》的整体概念框架是关于末日时间的神圣奥秘的启示。启示的中心是人子耶稣,被确定为但7的人形人物,在他的十字架上因赞美/举起而达到顶峰。十字架上耶稣显露的奥秘的内容包括末世的弥赛亚,以色列和圣殿的复兴,救恩,对义人的辩护和对罪恶的谴责,以及外邦人的朝圣,这是与当代犹太世界末日的著作无法比拟。 ud3。耶稣的十字架作为末日启示录视觉的焦点位于明显不同的基督教(人子大卫·弥赛亚 uddivine智慧)的背后,这些经文以这样的方式被整合到文本中不可能 udud每个孤立地理解。在犹太启示世界的希望中已经找到了这些的组合。人子的提拔和荣耀优先于戴维克·金利·弥赛亚,这一事实剥夺了普遍的犹太人期望的政治/军事方面。 ud4。同时,约翰尼耶稣的启示性模式不仅在犹太末世的话语中难以理解,而且还必须考虑到普遍存在的格雷奥-罗马戏剧惯例无名氏。在《第四福音》的主要情节中,耶稣被描绘成神圣的归国英雄之王,就像在荷马的《奥德赛》中一样,他的弥赛亚身份对许多人不公开,并向那些因信仰(和热情)接受他的人透露。这种模式也与《约翰内恩·孙子》中的大多数人谚语有关。在此情节发展中,约翰12.20-36坐落在一个高潮的地方,犹太人未能认识到耶稣,他指出了他在十字架上启示的决定性时刻。 Johannine末世论是以耶稣为中心的,其实现的方面被强烈去世化了,因为末世论术语被压倒了。 ud因此耶稣在十字架上是eschaton的化身。同时,由于 udthe使命的观点,复活节后的时期,即教堂的时代,对未来的发展是开放的。耶稣的启示是关于末日的神圣奥秘的核心,它以十字架为中心,既是对世界的审判,也是对世界的拯救。约翰对十字架的理解是在受苦义人的辩护/提升的框架中表达的。这暗示着耶稣的死 udand复活为新的 udge神的新约揭开了序幕,新约 ud神既拥抱了犹太人,也拥抱了外邦人。约翰福音12.20-36设想了末日审判和末世化的世界末日的异象,其中新约的子民被创造为上帝的新子民。新的“光明之子”的不再是旧约中的律法,而是对光明耶稣的信仰(并作为新的律法彼此相爱)。这种信仰不是个人主义的,而是面向社区建设的,其中包括来自外邦人的信徒。社区本身是耶稣十字架的结果。耶稣死的目的是“结出硕果”,并将“所有”(民族)聚集到自己的家中。尽管遭受了“极有可能的迫害”,但通过对世界的使命在社区中实现了耶稣的死。

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    Kobayashi Takanori;

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  • 年度 1999
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