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“Becoming the Turk”: The use of Ottoman images in early modern pamphlets as crossroads for competing nations, religious adversaries and national politics

机译:“成为土耳其人”:在早期现代小册子中使用奥斯曼帝国的形象作为竞争国家,宗教对立者和国家政治的十字路口

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摘要

In the sixteenth and seventeenth century, images of the Ottomans were frequently used in printings like pamphlets, news books, etc. The way the Ottomans were portrayed and the interactions of the Ottomans with Western Europe have often been food for discussion for scientists from many disciplines, like history, sociology, linguistics, etc. It is, as such beneficial, for this multidisciplinary theme to be aware and to consider at all the different angles to gain a better understanding of how and why the Ottomans were portrayed. In the Habsburg Netherlands, being one of the important printing centres of the time, pamphlets were rather popular and regularly portrayed the Ottomans. The shifting images of the Ottomans in these pamphlets and other similar printings will be the base of the research.The sketched portrait of the Ottomans in the Habsburg Netherlands was marked by an often religious and an antagonistic perspective. It wasn’t however fixed in time, in place and in method. What aspects were shown, and was there a specific evolution? This research examines how this image shifted between different (opposing) nations It further analyses the use by different religious opponents like Protestants and Catholics and the application of the image for internal regional politics. Pamphleteering was also a lucrative business, which further marked the use of these images. The economic aspect and the interaction of the bookshops and printers therefore needs to be taken into account. Many protagonists in the different Western European nations of the sixteenth and seventeenth century became ‘Turks’. As such it became a pan-European theme, breaking classic boundaries of religion, economics and politics.
机译:在16世纪和17世纪,奥斯曼人的图像经常被用于小册子,新闻书等印刷品中。描绘奥斯曼人的方式以及奥斯曼人与西欧的互动经常成为许多学科的科学家讨论的食物例如历史,社会学,语言学等。了解这一多学科主题并从各个不同角度考虑,以更好地理解奥斯曼帝国的描绘方式和原因是有益的。在当时作为荷兰重要印刷中心之一的哈布斯堡荷兰,小册子颇受欢迎,并经常刻画奥斯曼帝国。这些小册子和其他类似印刷品中奥斯曼帝国的不断变化的图像将成为研究的基础。在哈布斯堡荷兰绘制的奥斯曼帝国的素描肖像通常带有宗教和对立的观点。但是,它并没有在时间,地点和方法上固定。显示了哪些方面,并且有具体的变化吗?这项研究研究了这种形象如何在不同的(反对的)国家之间转移。它进一步分析了不同宗教反对者(如新教徒和天主教徒)的使用以及该形象在内部区域政治中的应用。宣传册也是一项有利可图的业务,它进一步标志着这些图像的使用。因此,需要考虑经济方面以及书店和印刷厂的相互作用。 16世纪和17世纪,西欧不同国家的许多主角都成了“土耳其人”。这样一来,它成为了泛欧主题,打破了宗教,经济和政治的经典界限。

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    Van Waelderen Dirk G.;

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