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Dressing for England: fashion and nationalism in victorian novels

机译:为英国打扮:维多利亚时代小说中的时尚与民族主义

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摘要

Victorian women were not merely the symbols of nation nineteenth-centuryimagery would suggest in an era marked by the images of Queen Victoria and thesymbolic representation of Britannia. They also were producers, maintainers, and evenprotectors of England at a time when imperial anxiety and xenophobic fears called thedefinition of Englishness into question. Dress, particularly fashionable dress, often wasviewed as a feminine weakness in Victorian England. At the same time women werechastised for their attentions to the details of their clothing, they also were instructed tooffer a pretty and neat presentation publicly and privately. Novels by George Eliot,Elizabeth Gaskell, William Thackeray, and H. G. Wells and manners and conduct textsby such authors as Sarah Stickney Ellis, Eliza Lynn Linton, and Margaret Oliphantdemonstrate how Victorian women used fashion and dress to redefine and manipulatethe socially accepted understanding of traditional English womanhood and tocommunicate national ideologies and concerns without violating or transgressingcompletely the more passive construction of Victorian femininity. By declaring their nationality through the public display that is fashion?dressdesignated by its appeal to a sophisticated, cultured, and perhaps continental society?these fictional and non-fictional women legitimized the demand for female access tosocial and cultural spheres as well as to the political sphere. Through an examination ofthe material culture of Victorian England?personal letters about the role of specificdress in Suffragette demonstrations, or the Indian shawl, for example?alongside anexamination of the literary texts of the period, ?Dressing for England? argues that thenovels of the nineteenth century and that century?s ephemera reveal its social concerns,its political crises, and the fabric of its everyday domesticity at the same time they revealthe active and intimate participation of Victorian women in the establishment andmaintenance of nation.
机译:维多利亚女王时代的女性不仅象征着十九世纪国家的象征,而且在维多利亚女王时代的图像和不列颠尼亚的象征性象征时代中,也暗示着维多利亚时代的女性。在帝国主义焦虑和仇外恐惧使英国的定义受到质疑的时候,他们还是英格兰的生产者,维护者甚至保护者。裙子,尤其是时髦的裙子,在维多利亚时代的英格兰经常被认为是女性的弱点。同时,妇女们被要求注意衣服的细节,还要求她们在公开场合和私下场合进行漂亮而整洁的介绍。乔治·埃利奥特(George Eliot),伊丽莎白·加斯凯尔(Elizabeth Gaskell),威廉·特克雷(William Thackeray)和HG·威尔斯(HG Wells)的小说以及举止和行为方式以及莎拉·斯蒂克妮·埃利斯(Sarah Stickney Ellis),伊丽莎·林恩·林顿(Eliza Lynn Linton)和玛格丽特·奥利芬特(Margaret Oliphant)等作家的行为文字表明维多利亚时代妇女如何使用时装和服饰重新定义和操纵社会对传统英语的理解妇女,并传达国家思想和关切,而不完全违反或超越维多利亚时代女性气质的被动建构。这些虚构和非虚构的妇女通过在公众场合展示自己的国籍,而这种公开摆设是通过吸引成熟,有文化,甚至可能是大陆社会的服饰而指定的。这些虚构和非虚构的妇女将女性进入社会,文化和政治领域的需求合法化球。通过对维多利亚时代英国的物质文化的考察,例如关于特殊礼服在萨夫格拉特游行或印度披肩中的作用的私人信件,例如,对这段时期的文学作品进行的旁听,“为英国打扮”?他们认为,十九世纪和该世纪的短命小说揭示了其社会问题,政治危机以及其日常家庭生活的结构,同时也揭示了维多利亚时代妇女积极,亲密地参与国家的建立和维护。

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    Montz Amy Louise;

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