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Gendered beings, gendered discourses: the gendering of race, colonialism and anti-colonial nationalism in three Zimbabwean novels

机译:性别存在,性别话语:津巴布韦三本小说中的种族性别,殖民主义和反殖民民族主义

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摘要

This article aims to explore the gendering of race, colonialism and anti colonial nationalism in selected novels from the Zimbabwean literary canon with the view of showing how this gendering affected different facets of colonial life and, by implication, post independence life. It relies on the Gramscian concept of hegemony in terms of how it refers to gender, particularly masculinities. The selected texts, A Son of the Soil by Wilson Katiyo, The Grass is Singing by Doris Lessing and Bones by Chenjerai Hove, cover the colonial period from the moment of contact to the early post independence period. The article links the gendered nature of colonialism to the gendered aspects of anti colonial nationalism and shows how the two existed in an oppositional yet ambivalent relationship. This is also manifest in the schizophrenia of the post independence state in modeling itself after its predecessor, its anti colonial rhetoric notwithstanding.
机译:本文旨在探讨从津巴布韦文学经典中精选的小说中种族,殖民主义和反殖民民族主义的性别化,以期显示这种性别化如何影响殖民生活的不同方面,并暗示后独立生活。它在如何指代性别,尤其是男性气质方面依赖于葛兰西霸权概念。选定的文本,威尔逊·卡蒂约(Wilson Katiyo)的《土壤之子》(A Son of the Soil),多里斯·莱辛(Doris Lessing)演唱的《草丛》(The Grass is Singing)和陈吉拉伊·霍夫(Chenjerai Hove)的《骨头》(Bones),涵盖了从接触到独立后早期的殖民时期。这篇文章将殖民主义的性别本质与反殖民民族主义的性别方面联系起来,并展示了两者如何以对立但矛盾的关系存在。这也体现在独立后国家的精神分裂症中,其模仿其前身,尽管其具有反殖民色彩。

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