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Postmodernist Identity Construction and Consumption

机译:后现代身份建构与消费

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摘要

With transition from modernism to postmodernism, identity as a concept is started to redefine in sociological literature. The aim of the study is that postmodernism and symbolic interactionism are fused together to determine the scene as well as actor’s identity. In that way, both that the interaction of social structure with culture won’t be completely ignored and with the opinion of that the categorized roles can be shaped and diversified by actors skillfully will be moved away from pure determinism. However, individuals pay more attention to their appearance more than who they are to be accepted by each group. In this manner, metaphysical shell game begins. In the study, “Social Appearance Anxiety” is used indicator of this game.The study was based on the analysis of the data collected through a questionnaire from 181 students studying in Hitit University. The INDCOL (Singelis et al., 1995) was used to determine cultural values of students in four dimensions; namely, vertical individualism and collectivism, and horizontal individualism and collectivism. To measure “Social Appearance Anxiety”, validity of Turkish version of the scale developed by Hart et al. in 2008 (Doğan, 2010) was used. The findings show that individuals being greater vertical individualistic value are more malleable to have social appearance anxiety. The findings also indicate that individuals having more collectivist value are not affected this kind of anxiety. Also new generation advertisement especially emphasizes importance of appearance. Due to this trend, Social Appearance Anxiety can be resulting in excessive consumption for more individualistic individual.   References [1] Singelis, T. M, Triandis, H. C., Bhawuk, D. S., ve Gelfand, M. J. 1995. Horizontal and vertical dimensions of individualism and collectivism: A theoretical and measurement refinement. Cross-Cultural Research, 29 (3): 240-275. [2] Doğan,Tayfun (2010) Sosyal Görünüş Kaygısı Ölçeği’ Nin (SGKÖ) Türkçe Uyarlaması: Geçerlik Ve Güvenirlik Çalışması, Hacettepe Üniversitesi Eğitim Fakültesi Dergisi (H. U. Journal of Education) 39: 151- 159.
机译:随着从现代主义到后现代主义的转变,身份作为一种概念开始在社会学文献中重新定义。研究的目的是将后现代主义和象征性互动主义融合在一起,以确定场景以及演员的身份。这样一来,既不会完全忽略社会结构与文化的相互作用,又不会认为角色可以巧妙地塑造和多样化角色,这将摆脱纯粹的决定论。但是,与每个小组要接受的人相比,个人更加关注自己的外表。以这种方式,形而上学的贝壳游戏开始了。在这项研究中,“社交外观焦虑”被用作该游戏的指标。该研究基于对通过调查来自Hitit University的181名学生的问卷调查收集的数据进行的分析。 INDCOL(Singelis等,1995)被用来从四个维度确定学生的文化价值。即纵向个人主义和集体主义,以及横向个人主义和集体主义。为了测量“社交外观焦虑症”,Hart等人开发的土耳其语量表的有效性。在2008年(Doğan,2010年)被使用。研究结果表明,具有较高垂直个人主义价值的个体更容易遭受社交外表焦虑。研究结果还表明,具有更大集体价值的人不会受到这种焦虑的影响。另外,新一代广告特别强调外观的重要性。由于这种趋势,社交外观焦虑症可能导致个人主义个体过度消费。参考文献[1] Singelis,T. M,Triandis,H. C.,Bhawuk,D. S.,ve Gelfand,M. J.1995。个人主义和集体主义的水平和垂直维度:理论和测量的改进。跨文化研究,29(3):240-275。 [2]Doğan,Tayfun(2010)SosyalGörünüşKaygısıÖlçeği’Nin(SGKÖ)TürkçeUyarlaması:GeçerlikVeGüvenirlikÇalışması,HacettepeÜniversitesiEğitimFakültesi159(第39页)。

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