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Filozofski sistem Dostojevskog (pokušaj rekonstrukcije)

机译:陀思妥耶夫斯克哲学体系(pokšajrekonstrukcije)

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摘要

This text is an attempt to locate, not only the philosophical ideas in the works of Dostoyevsky, but it is an attempt to reconstruct his philosophy as a whole. In this text we argue that Dostoyevsky has a philosophical system, which he builds in his novels. Is it possible to reconstruct a system from a novel, and how it is possible?udThat is why we will try to find a method of reconstruction of his novels that will helps us to “extract” the base elements of his philosophy. That is why the organization and approach in this text is structured in such a manner to, on one side, give a review of the important moments of the author’s personal life which, according to us, were the key factors in determining Dostoyevsky’s philosophy, and, on the other side, enable us to get insight into the bases of that philosophy we showed as a complete whole. That is why the text combining chronological and problem approaches that in turn have their advantages and disadvantages. Perhaps choosing only one approach would produce a more coherent text, but it would certainly impoverish it in relation to the necessary links between life and creative work, which for us is especially important to emphasize. Dostoyevsky’s creative work was born and it grew “parallel” to his life. He deeply experienced the ideas that were artistically expressedudAfter the necessary theoretical distinctions in the first part of the text, philosophical problems are explicitly worked out in the second part of the text. There we are showing the development of the basic ides and concretely located them in the three main thematic areas, where we think Dostoyevsky’s philosophy was exhausted: Epistemology, Anthropology and Religion. According to us - the problem is set in the frames of epistemology where mainly through Notes from the Underground, the analysis of the problems of cognition and antinomies to which the mind comes is made. After locating these issues in epistemological frames and stating that they cannot be solved in these frames, they are moved into the area of anthropology. Here the fundamental problem Dostoyevsky is interested in –the man (to whom he approached from an epistemological aspect by means of antinomies), is set in the light of freedom as a determiner of his essence. Freedom is human essence. At the end - religion shows the final synthesis to which Dostoyevsky arrived. That is the synthesis Dostoyevsky longed for, and that is a solution for his main problem – human existence.ududKljučne riječiudgnoseology; anthropology; religion; mystical realism; antinomies; Deification.ud
机译:该文本不仅试图在陀思妥耶夫斯基的作品中找到哲学思想,而且是在整体上重构其哲学的尝试。在本文中,我们认为陀思妥耶夫斯基有一个哲学体系,他在小说中建立了这一体系。 ud这就是为什么我们将尝试找到一种重建他的小说的方法的方法,该方法将帮助我们“提取”他的哲学的基本要素。正因为如此,本文中的组织结构和方法如此结构,一方面可以回顾作者的个人生活的重要时刻,根据我们的看法,这是决定陀思妥耶夫斯基哲学的关键因素,并且另一方面,使我们能够洞悉我们完整展示的那种哲学基础。这就是为什么按时间顺序和问题方式相结合的文本又有其优点和缺点的原因。也许只选择一种方法会产生一个更连贯的文本,但是相对于生活和创造性工作之间的必要联系,这无疑会使它变得贫穷,这对我们来说尤其重要。陀思妥耶夫斯基的创造力诞生了,并且与他的生活“平行”发展。在本书第一部分进行必要的理论区分之后,他深刻地体验了艺术表达的思想。在本书第二部分中明确地解决了哲学问题。在这里,我们展示了基本思想的发展,并将其具体定位在三个主要主题领域,我们认为陀思妥耶夫斯基的哲学用尽了:认识论,人类学和宗教。根据我们的观点,问题是在认识论的框架中提出的,主要通过地下笔记来分析思想所涉及的认知和矛盾问题。在认识论框架中找到了这些问题并指出无法在这些框架中解决这些问题之后,它们被转移到人类学领域。在这里,陀思妥耶夫斯基感兴趣的根本问题是,从自由的角度出发,把这个人(从认识论的角度从认识论的角度来对待这个人)作为其本质的决定者。自由是人的本质。最后,宗教展示了陀思妥耶夫斯基所到达的最终综合。这就是陀思妥耶夫斯基所渴望的综合,这是他的主要问题-人类生存的解决方案。 ud udKljučneriječi udgnoseology;人类学;宗教;神秘的现实主义;矛盾神化。 ud

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