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Pilgrimage through the pages: pilgrim's badges in late medieval devotional manuscripts

机译:穿越页面的朝圣:朝圣者在中世纪晚期灵修手稿中的徽章

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摘要

In the late Middle Ages, pilgrims travelling to popular holy shrines often purchased small, inexpensive metal badges to commemorate their visit. While these souvenirs were frequently worn on one???s clothing, hat, or bag, pilgrims began sewing the badges into the pages of their private prayer books???usually books of hours???by the second half of the fifteenth century. In turn, these led to painted trompe l???oeil representations of badges in manuscript margins. Through an analysis of surviving examples, this dissertation will examine how a badge???s original function as a souvenir of a physical pilgrimage shifted within the context of a manuscript. Similarly, the augmentation of a manuscript???s primary use as a prayer book by the inclusion of actual or painted souvenirs is discussed. Also considered is how the inclusion of pilgrim badges, either real or representational, facilitated a ???mental pilgrimage??? for the book owner, whether through memory or imagination. The dissertation is divided into two sections, focusing respectively on books containing actual pilgrims??? badges and manuscripts with painted representations of souvenirs. In the first portion, I will investigate how the particular location of pilgrims??? badges within a manuscript affected the reader???s interaction with the souvenirs and the book???s contents, whether clustered together on one folio or scattered through the manuscript next to specific???and often relevant???text and illuminations. Particular attention will be placed on manuscripts originally owned by fifteenth- and sixteenth-century Burgundian and Hapsburg families and their associates. The second half addresses the artists and workshops behind the production of Flemish manuscript illumination, specifically the development of the trompe l???oeil borders and the likely use of models and copying. It also examines the possible ways in which painted pilgrim badge borders could be interpreted by the book???s owner.This study provides insight as to how two forms of popular devotion???that of public pilgrimage through the ownership of pilgrim badges and private contemplation through prayer books supplemented by these badges???merged in the late medieval period.
机译:在中世纪晚期,朝圣者前往流行的圣地时常购买小而便宜的金属徽章,以纪念他们的到来。当这些纪念品经常戴在衣服,帽子或书包上时,朝圣者开始将徽章缝入他们的私人祈祷书页中(通常是几小时),直到十五世纪下半叶。 。反过来,这些导致了在手稿边缘涂上了涂漆的错字图案。通过对尚存的例子进行分析,本论文将研究徽章的原始功能如何作为手稿朝圣的纪念品在手稿的背景下转移。类似地,讨论了通过包括实际的或彩绘的纪念品来增加手稿作为祈祷书的主要用途。还考虑到包括朝圣者徽章(无论是真实的还是具有代表性的)如何促进“精神朝圣”?对于书主而言,无论是通过记忆还是通过想象。本文分为两个部分,分别针对包含实际朝圣者的书籍???徽章和手稿,上面绘有纪念品。在第一部分中,我将研究朝圣者的特定位置???手稿中的徽章会影响读者与纪念品和书籍内容的互动,无论是聚集在一个作品集上还是散布在手稿中,紧挨着特定的(通常是相关的)文字和插图。将特别关注最初由15世纪和16世纪的勃艮第和哈普斯堡家族及其同伙拥有的手稿。下半部分介绍了佛兰德手稿照明生产背后的艺术家和工作室,特别是错层图边框的发展以及模型和复制的可能用途。它还研究了书的所有者可以解释朝圣者徽章涂漆的边界的可能方法。这项研究提供了对朝圣的两种奉献方式的理解-通过朝圣者徽章的所有权和公共朝圣的方式。通过祈祷书并辅以这些徽章来进行私人冥想?在中世纪后期合并。

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    Foster Megan;

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  • 年度 2011
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  • 正文语种 {"code":"en","name":"English","id":9}
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