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Ambiguous figures and representationalism

机译:模棱两可的人物和代表性

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摘要

Macpherson (Nous 40(1):82-117, 2006) argues that the square/regular diamond figure threatens representationalism, construed as the theory which holds that the phenomenal character is explained by the nonconceptual content of experience. Her argument is the claim that representationalism is committed to the thesis that differences in the experience of ambiguous figures, the gestalt switch, should be explained by differences in the NCC of perception of these figures. However, with respect to the square/regular diamond and some other ambiguous figure representationalism fails to offer a unified account of how representational content makes them ambiguous. In this paper, I aim, first, to offer a representationalist account of ambiguous figures and, second, to examine and rebut Macpherson's arguments. My main point is that in each ambiguous figure Macpherson discusses there are differences in representational content that can explain differences in phenomenal character or content. The representational differences are due to the ways the Cartesian frame of reference in which perceptual content is always cast cuts the figure, underlying different properties of the figure with respect to the axes of the Cartesian frame of reference.
机译:Macpherson(Nous 40(1):82-117,2006)认为方形/规则的菱形图形威胁着代表主义,被解释为一种理论,认为现象性是由经验的非概念性内容来解释的。她的论点是主张代表主义致力于这样一个论点,即模棱两可的人物体验中的差异(格式塔切换)应通过对这些人物的认知的NCC差异来解释。但是,对于方形/规则菱形和其他一些模棱两可的人物,代表制不能对代表内容如何使它们模棱两可提供统一的解释。在本文中,我的目的是,首先,对模棱两可的人物提供代表性的描述,其次,研究并反驳麦克弗森的论点。我的主要观点是,在每一个模棱两可的人物中,麦克弗森讨论了代表性内容上的差异,这些差异可以解释现象特征或内容上的差异。表示差异是由于始终在其中投射感性内容的笛卡尔参考框架切割图形的方式,相对于笛卡尔参考框架的轴,图形具有不同的属性。

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