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首页> 外文期刊>Ceramic review >GEOFFREY EASTOP: 'THE HOLLOW DIMENSION'/BERKELEY SQUARE GALLERY, LONDON
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GEOFFREY EASTOP: 'THE HOLLOW DIMENSION'/BERKELEY SQUARE GALLERY, LONDON

机译:GEOFFREY EASTOP:“空心体” /伦敦伯克利广场画廊

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摘要

Meeting with Geoffrey Eastop at the Berkeley Square Gallery he talks passionately about his rich and varied career in ceramics, how the different events in his life have informed his work, created new opportunities, prompted changes in direction and defined his ambitions. As a student in the seventies I was aware of his stoneware pots, assemblages from thrown cylinders and spheres, and later of his large earthenware platters richly glazed in vibrant colours, the results of a rewarding collaboration with John Piper. I was impressed by his craft skills as a potter and his abilities as a painter. This breadth of interest is synonymous with Eastop's work and in this exhibition he tackles what for him has become a nagging issue, recognising the 'point of crossover which distinguishes the difference between art and craft'.
机译:在伯克利广场画廊与杰弗里·伊斯特普(Geoffrey Eastop)会面时,他热情洋溢地谈论了他丰富多样的陶瓷事业,他一生中的不同事件如何为他的作品提供了信息,创造了新的机会,促进了方向的改变并确定了他的抱负。七十年代作为一名学生,我意识到他的stone锅,从投掷的圆柱体和球体中得到的组合,以及后来他的大型陶器盘子上都充满了鲜艳的色彩,这是与约翰·派珀(John Piper)进行的有益合作的结果。他的陶艺技巧和画家的能力给我留下了深刻的印象。这种兴趣的广度是伊斯特普作品的代名词,在本次展览中,他认识到“交叉点将艺术与手工艺之间的差异区分开”,这对他来说已经成为一个棘手的问题。

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