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Phil Cornelius' Thinware Pushes the Limits of Porcelain

机译:菲尔·科尼利厄斯(Phil Cornelius)的薄件推动了陶瓷的极限

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One critic has called Philip Cornelius' work idiosyncratic and another labeled it impossibly thin, but those descriptions just scratch the surface of his evolution in ceramics. His signature porcelain "thinware" developed back in 1970 from recycling curling wisps of leftover clay found on a bat after a piece had been wire cut, is often roughly textured and asymmetrical. The work is made up of elements that look like they've been retrieved from a lost civilization. The super-thin quality of his porcelain has to be admired for its alternating delicate yet strong skin. Cornelius has perfected this style into a reliable technique that has become his visual calling card.
机译:一位批评家称菲利普·科尼利厄斯的作品为特质,另一位批评者称它为单薄,但这些描述只是他陶瓷发展史的表面。他的招牌瓷器“ thinware”于1970年开发,该产品是通过回收蝙蝠上的残渣(经过线切割)后残留的卷曲黏土而制成的,通常粗糙且不对称。作品由看起来像是从失落的文明中寻回的元素组成。他的瓷器超薄质量因其交替而又细腻而结实的皮肤而受到赞赏。 Cornelius已将此样式完善为一种可靠的技术,已成为他的视觉名片。

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