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David Leach-A Potter's Life

机译:大卫·利奇-波特的生活

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A book and a major retrospective exhibition are events for any artist-potter but for David Leach this is an opportunity to fully assess and celebrate his long and distinguished career. The Devon Guild of Craftsmen, David, and myself as curator, have put together a comprehensive retrospective exhibition, supported by a thoroughly researched biography by Emmanuel Copper, in this David's ninety-second year, his seventy-third as a potter. David Leach is a warm and generous man. He has lived by Christian principles which become evident as one considers his life. When deciding to work at the Leach Pottery in St. Ives in 1930 he placed personal ambition in the background, believing that he could offer something useful to his father. This proved to be the case. Constant losses at the Pottery since it was set up by his father in 1920, together with lack of technical skill and economic recession, brought the Pottery close to bankruptcy, but expertise learned by David in Stoke-on-Trent literally saved the day. To ensure 'cash flow' David devised the Leach Standard Ware range of table and useful ware which was sold through London stores, directly from the Pottery and by mail order. The initial ideas for items came from both Bernard and David. Bernard often sketched the shapes and David made the first models and ensured their successful development. Generally he has taken little credit for this input and speaks of it modestly when pressed hard to explain the post-war development of the Leach Pottery.
机译:一本书和一个大型回顾展对任何艺术家陶艺家来说都是大事,但对于大卫·里奇来说,这是一个充分评估和庆祝他漫长而杰出职业的机会。戴维(David)和我本人是策展人的德文郡工匠协会(Devon Guild of Craftsmen),在大卫(David)九十二岁的那年(七十三岁的陶艺家)中,由伊曼纽尔·科波(Emmanuel Copper)精心研究的传记所支持,组成了一个综合回顾展。大卫·里奇(David Leach)是一个热情大方的人。他一直信奉基督教原则,而这一原则在人们考虑自己的生活时就变得显而易见。当决定在1930年在圣艾夫斯的沥水陶器公司工作时,他以个人野心为背景,认为他可以为父亲提供一些有用的东西。事实证明是这样的。自从他的父亲于1920年创立陶器以来,陶器不断亏损,加上缺乏技术技能和经济衰退,使陶器濒临破产,但戴维在特伦特河畔斯托克学到的专业知识却挽救了这一天。为了确保“现金流”,David设计了Leach Standard Ware系列桌子和有用的商品,这些商品通过伦敦的商店直接从陶艺公司以邮购的形式出售。物品的最初想法来自伯纳德和戴维。伯纳德经常勾勒出形状,戴维(David)制作了第一个模型并确保其成功开发。通常,他对这种投入几乎不屑一顾,并在努力解释战后陶器的发展时轻描淡写地说。

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