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Seventy Years a Potter

机译:波特七十年

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Ray Pinch, who this year celebrates seventy years of potting, has long been recognised as one of this country's leading makers of handsome tableware. Since working first with slip-decorated earthenware, then stoneware and later porcelain and saltglaze, Finch has consistently produced beautifully crafted pots mostly for use on the table. For many years his pots graced the tables of Cranks Healthfood Restaurants and became a byword for work that was simply made, delightfully executed and stylish in concept. Along with Leach standard ware, Finch's pots became a benchmark for useful pots around the country. Still potting at the age of ninety-two, Finch is a quiet, unassuming potter who allows his pots to speak for themselves. In 1936 Ray Finch, then aged twenty-two, began making pots with his mentor Michael Cardew, at Winchcombe Pottery, a workshop that specialised in slipware, fired in a large traditional bottle oven. An adept student, Finch quickly learnt his craft and within three years was left in charge when Cardew moved to Cornwall to establish a new pottery. Maintaining full production during the war proved impossible and full-scale output was only re-established in 1946 when Finch bought the business. Although production was fraught with a series of technical problems, the pottery continued to make slipware until it moved to the stronger and more practical reduction-fired stoneware in 1960, a move that luckily coincided with a flourishing demand for useful handmade pottery. Winchcombe's standard wares led the field. In the following decade the pottery began firing with wood, which added an extra quality of richness to the work, and continues to do so.
机译:雷·潘奇(Ray Pinch)今年庆祝了陶器七十周年,长期以来一直被认为是该国领先的精美餐具制造商之一。自从首先使用滑点装饰的陶器开始,然后是stone器,然后是瓷器和盐釉,Finch始终生产出精美的花盆,主要用于桌上。多年以来,他的花盆一直装饰在Cranks Healthfood Restaurants的餐桌上,并成为简单制作,令人愉悦地执行和概念时尚的工作的代名词。与Leach标准餐具一起,Finch的花盆已成为全国有用花盆的基准。芬奇在九十二岁时仍在陶艺,他是一个安静,谦虚的陶艺家,允许他的陶罐说话。 1936年,时年22岁的雷·芬奇(Ray Finch)开始与他的导师迈克尔·卡德(Michael Cardew)在Winchcombe陶器厂制造罐子。芬奇是一位熟练的学生,很快就学会了他的手艺,当卡杜(Cardew)搬到康沃尔(Cornwall)建立新的陶器后的三年内,他任职负责。事实证明,在战争期间保持全面生产是不可能的,直到1946年芬奇(Finch)收购了该业务后,才恢复了全面生产。尽管生产过程中充满了一系列技术问题,但陶器仍继续制造滑件,直到1960年移交给更坚固,更实用的还原烧制stone器为止。幸运的是,此举恰逢对有用的手工陶器的旺盛需求。 Winchcombe的标准产品引领了这一领域。在随后的十年中,陶器开始用木头烧制,这为作品增添了额外的丰富感,并且一直如此。

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