ALISON BRITTON

摘要

To know the pleasure of visiting an exhibition that shows more than seventy pieces of an artist's work, spanning three decades, one can imagine the extraordinary enjoyment Alison Britton derives from permanent access to such an archive of her own development. In an acutely thought-out arrangement here, Ed Wolf's extensive collection fjows like an animated frieze circling the gallery, creating a retrospective backdrop for seven new pieces, considerably larger in scale, in the centre. The timeline is pleasingly jumbled up, echoing the principal concern in Britton's making of creating connections and playing with disparities.