INTERVALLIC SCALING IN THE BACH CELLO SUITES

摘要

The cello suites of Johann Sebastian Bach exhibit several types of power-law scaling, the best examples of which can be considered fractal in nature. This article examines scaling with respect to the characteristics of melodic interval and its derivative, melodic moment. A new and effective method for pitch-related analysis is described and then applied to a selection of the 36 pieces that comprise the six cello suites.