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Sight-reading of violinists: eye movements anticipate the musical flow.

机译:小提琴手的视线:眼动会预见音乐的流动。

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摘要

When sight-reading a piece of music the eyes constantly scan the score slightly ahead of music execution. This separation between reading and acting is commonly termed eye-hand span and can be expressed in two ways: as anticipation in notes or in time. Previous research, predominantly in piano players, found skill-dependent differences of eye-hand span. To date no study has explored visual anticipation in violinists. The present study investigated how structural properties of a piece of music affect the eye-hand span in a group of violinists. To this end eye movements and bow reversals were recorded synchronously while musicians sight-read a piece of music. The results suggest that structural differences of the score are reflected in the eye-hand span in a way similar to skill level. Specifically, the piece with higher complexity was associated with lower anticipation in notes, longer fixation duration and a tendency for more regressive fixations. Anticipation in time, however, remained the same (approximately 1 s) independently of the score played but was correlated with playing tempo. We conclude that the eye-hand span is not only influenced by the experience of the musician, but also by the structure of the score to be played.
机译:朗读音乐时,眼睛会在音乐执行之前不断地扫描乐谱。阅读和动作之间的这种分离通常被称为眼手跨度,可以用两种方式表达:作为音符或时间的预期。先前的研究(主要是在钢琴演奏者中)发现,取决于技巧的视线跨度差异。迄今为止,尚无研究探讨小提琴家的视觉预期。本研究调查了音乐的结构特性如何影响一组小提琴手的眼手跨度。为此目的,同步记录动眼和鞠躬的倒转,而音乐家则视听一段音乐。结果表明,分数的结构差异以类似于技能水平的方式反映在眼掌中。具体而言,具有较高复杂性的乐曲与音符的预期较低,固定时间更长和固定性更高的趋势相关。但是,时间的预期与所演奏的乐谱无关,保持不变(约1 s),但与演奏速度相关。我们得出的结论是,视线跨度不仅受音乐家的经验的影响,而且还受演奏乐谱的结构的影响。

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