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Equivalence of Julesz ensembles and FRAME models

机译:Julesz合奏和FRAME模型的等效性

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In the past thirty years, research on textures has been pursued along two different lines. The first line of research, pioneered by Julesz (1962, IRE Transactions of Information Theory, IT-8:84-92), seeks essential ingredients in terms of features and statistics in human texture perception. This leads us to a mathematical definition of textures in terms of Julesz ensembles (Zhu et al., IEEE Trans. on PAMI, Vol. 22, No. 6, 2000). A Julesz ensemble is a set of images that share the same value of some basic feature statistics. Images in the Julesz ensemble are defined on a large image lattice (a mathematical idealization being Z(2)) so that exact constraint on feature statistics makes sense. The second line of research studies Markov random field (MRF) models that characterize texture patterns on finite (or small) image lattice in a statistical way. This leads us to a general class of MRF models called FRAME (Filter, Random field, And Maximum Entropy) (Zhu et al., Neural Computation, 9:1627-1660). In this article, we bridge the two lines of research by the fundamental principle of equivalence of ensembles in statistical mechanics (Gibbs, 1902, Elementary Principles of Statistical Mechanics. Yale University Press). We show that 1). As the size of the image lattice goes to infinity, a FRAME model concentrates its probability mass uniformly on a corresponding Julesz ensemble. Therefore, the Julesz ensemble characterizes the global statistical property of the FRAME model; 2). For a large image randomly sampled from a Julesz ensemble, any local patch of the image given its environment follows the conditional distribution specified by a corresponding FRAME model. Therefore, the FRAME model describes the local statistical property of the Julesz ensemble, and is an inevitable texture model on finite (or small) lattice if texture perception is decided by feature statistics. The key to derive these results is the large deviation estimate of the volume of (or the number of images in) the Julesz ensemble, which we call the entropy function. Studying the equivalence of ensembles provides deep insights into questions such as the origin of MRF models, typical images of statistical models, and error rates in various texture related vision tasks (Yuille and Coughlan, IEEE Trans. on PAMI, Vol. 2, No. 2, 2000). The second thrust of this paper is to study texture distance based on the texture models of both small and large lattice systems. We attempt to explain the asymmetry phenomenon observed in texture "pop-out" experiments by the asymmetry of Kullback-Leibler divergence. Our results generalize the traditional signal detection theory (Green and Swets, 1988, Signal Detection Theory and Psychophysics, Peninsula Publishing) for distance measures from iid cases to random fields. Our theories are verified by two groups of computer simulation experiments. [References: 30]
机译:在过去的三十年中,对纹理的研究一直沿着两条不同的路线进行。 Julesz(1962,IRE Transactions of Information Theory,IT-8:84-92)率先开展的第一线研究,从人体纹理感知的特征和统计方面寻求基本要素。这导致我们根据儒勒兹合奏对纹理进行数学定义(Zhu等人,IEEE Trans。on PAMI,第22卷,第6期,2000年)。 Julesz合奏是一组共享某些基本要素统计信息的值相同的图像。 Julesz集合中的图像定义在大图像晶格上(数学上的理想化为Z(2)),因此对特征统计量的确切约束是有意义的。研究的第二条线研究马尔可夫随机场(MRF)模型,该模型以统计方式表征有限(或较小)图像晶格上的纹理图案。这将我们带到一类称为FRAME(滤波器,随机场和最大熵)的MRF模型(Zhu等人,神经计算,9:1627-1660)。在本文中,我们通过统计力学中合奏的基本原理(Gibbs,1902年,《统计力学的基本原理》,耶鲁大学出版社)将研究的两条线衔接起来。我们证明1)。随着图像晶格的大小达到无穷大,FRAME模型将其概率质量均匀地集中在相应的Julesz集合中。因此,Julesz集合表征了FRAME模型的全局统计特性。 2)。对于从Julesz集合中随机采样的大图像,在给定其环境的情况下,图像的任何局部补丁都遵循相应FRAME模型指定的条件分布。因此,FRAME模型描述了Julesz集合的局部统计属性,如果纹理感知是由特征统计决定的,则FRAME模型是有限(或小)晶格上不可避免的纹理模型。得出这些结果的关键是对Julesz集合的体积(或其中的图像数量)进行大偏差估计,我们称其为熵函数。研究合奏的等效性提供了对问题的深入见解,例如MRF模型的起源,统计模型的典型图像以及各种与纹理相关的视觉任务中的错误率(Yuille和Coughlan,IEEE Trans。on PAMI,第2卷,第1期)。 2000年2月)。本文的第二个重点是基于大小网格系统的纹理模型来研究纹理距离。我们试图通过Kullback-Leibler发散的不对称性来解释在纹理“弹出”实验中观察到的不对称性现象。我们的研究结果概括了传统的信号检测理论(Green和Swets,1988,信号检测理论和心理物理学,半岛出版社),用于从病态病例到随机场的距离测量。我们的理论已通过两组计算机仿真实验得到验证。 [参考:30]

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