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HARLEY EARL'S DESIGNING WOMEN

机译:HARLEY EARL的设计女性

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摘要

NINE REMARKABLE DESIGNERS AND ONE UNPRECEDENTED SHOW REDREW THE ROLE OF WOMEN IN AUTOMOTIVE DESIGN. Studebaker in 1944 and later went on to Tucker. But only in the postwar era did automakers start to think seriously about women. The mass move to the suburbs brought with it the two-car household and suburban female drivers. By the mid-1950s, the biggest question in the car business was how to appeal to women. Earl decided that the best way to sell more cars to women would be to involve them in the design process. In 1955 he traveled to the Pratt Institute in Brooklyn, New York, to find suitable candidates. There Earl found seven of the nine designers that GM public relations came to call the "Damsels of Design."
机译:九位杰出的设计师和一位无与伦比的设计师展示了女性在汽车设计中的作用。 1944年加入Studebaker,后来加入塔克。但是只有在战后时代,汽车制造商才开始认真考虑女性。大规模搬迁到郊区带来了两辆汽车的家庭和郊区女性驾驶员。到1950年代中期,汽车行业最大的问题是如何吸引女性。伯爵认为,向女性出售更多汽车的最佳方法是让他们参与设计过程。 1955年,他前往纽约布鲁克林的普拉特学院,寻找合适的人选。伯爵在那里找到了通用汽车公关部称其为“设计大人物”的9位设计师中的7位。

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