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Network analysis: Understanding consumers' choice in the film industry and predicting pre-released weekly box-office revenue

机译:网络分析:了解电影行业消费者的选择,并预测预售的每周票房收入

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摘要

Predicting weekly box-office demand is an important yet challenging question. For theater exhibitors, such information will enhance negotiation options with distributers, and assist in planning weekly movie portfolio mix. Existing literature focuses on forecasts of pre-released total gross revenue or on weekly predictions based on first-weeks observations. This work adds to the literature in modeling the entire demand structure forecasts by utilizing information on movie similarity network. Specifically, we draw upon the assumption that aggregated consumers' choice in the film industry is the main key in understanding movies' demand. Therefore, similar movies, in terms of audience appeal, should yield similar demand structure. In this work, we propose an automated technique that derives measurements of demand structure. We demonstrate that our technique enables to analyze different aspects of demand structure, namely, decay rate, time of first demand peak, per-screen gross value at peak time, existence of second demand wave, and time on screens. We deploy ideas from variable selection procedures, to investigate the prediction power of similarity network on demand dynamics. We show that not only our models perform significantly better than models that discard the similarity network but are also robust to new sets of box-office movies. Copyright (c) 2016 John Wiley & Sons, Ltd.
机译:预测每周票房需求是一个重要但具有挑战性的问题。对于剧院放映商而言,此类信息将增强与发行人的谈判选择,并有助于计划每周的电影作品组合。现有文献集中于对预发布的总收入的预测或基于第一周观察的每周预测。这项工作通过利用电影相似性网络上的信息为整个需求结构预测建模提供了文献资料。具体来说,我们假设电影业中消费者的总体选择是理解电影需求的主要关键。因此,就观众的吸引力而言,类似的电影应该产生相似的需求结构。在这项工作中,我们提出了一种自动化技术,可以得出需求结构的度量。我们证明了我们的技术能够分析需求结构的不同方面,即衰减率,第一个需求高峰的时间,高峰时间每个屏幕的总价值,第二个需求波的存在以及屏幕上的时间。我们从变量选择程序中部署思想,以研究相似度网络随需应变动态的预测能力。我们证明,不仅我们的模型比放弃相似网络的模型表现明显更好,而且对新的票房电影集也很健壮。版权所有(c)2016 John Wiley&Sons,Ltd.

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