Ancient Greek and Roman open-air theaters had re-known acoustic properties, allowing speech communication for more than 10000 people. Here, acoustic properties for the most famous of these theaters, Epidauros, are analysed and compared to 2 other theaters (Dodoni and Patras' Odeion) via computer-aided prediction and aural-isation. Novel, detailed and in-depth conclusions for these theaters acoustics properties are derived and presented, together with audio demonstrations.
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