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Factors influencing use of hearing protection by trumpet players

机译:影响小号球员使用听力保护的因素

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摘要

Although a great many brass players, and trumpet players in particular, successfully use high-fidelity earplugs, others report problems with their use. This article discusses factors that may discourage a brass player from using hearing protection: These include (a) a lack of acclimatization time; (b) a loss of "fortissimo blare" from the aural distortion generated by the 110- to 120-dB SPL produced at the open ear with fortissimo playing; (c) a shallow earmold seal, leading to a large occlusion effect; (d) a poor seal combined with incorrect acoustic mass in the sound channel; and (e) hearing loss where many harmonic overtones of even moderately loud playing may become inaudible with earplugs to a lifelong trumpet player with high-frequency hearing loss. The limitations imposed by each of these can usually be overcome with modifications of the hearing protection device (HPD) or with acclimatization time, allowing a lifetime of playing without the all-too-common "musicians' hearing loss" and/or tinnitus. A review of these factors helps to delineate some of the perceptual issues that musicians may have with any change in the spectrum of their instrument-whether it is related to attenuation or amplification.
机译:虽然众多黄铜球员和小号球员特别是,成功地使用高保真耳塞,但其他人的使用报告了他们的使用问题。本文讨论了可能劝阻黄铜球员使用听力保护的因素:这些包括(a)缺乏适应时间; (b)从露天耳朵产生的110-10至120 dB SPL产生的内耳失真的失去“FortIssimo Blare”; (c)浅耳罩密封,导致大闭塞效果; (d)良好的密封在声道中与错误的声学质量相结合; (e)听力损失,即使中等响亮的比赛的许多谐波泛滥可能与earplugs到具有高频听力损失的终身小号球员的耳塞可能会感到不见。通常可以通过对听力保护装置(HPD)的修改或适应时间的修改来克服这些限制,允许在没有整个过常见的“音乐家的听力损失”和/或耳鸣的情况下赢得一生。对这些因素的审查有助于描绘音乐家可能对其仪器频谱的任何变化的一些感知问题 - 是否与衰减或扩增有关。

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