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Factors Influencing Use of Hearing Protection by Trumpet Players

机译:影响小号手使用听力保护装置的因素

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Although a great many brass players, and trumpet players in particular, successfully use high-fidelity earplugs, others report problems with their use. This article discusses factors that may discourage a brass player from using hearing protection: These include (a) a lack of acclimatization time; (b) a loss of “fortissimo blare” from the aural distortion generated by the 110- to 120-dB SPL produced at the open ear with fortissimo playing; (c) a shallow earmold seal, leading to a large occlusion effect; (d) a poor seal combined with incorrect acoustic mass in the sound channel; and (e) hearing loss where many harmonic overtones of even moderately loud playing may become inaudible with earplugs to a lifelong trumpet player with high-frequency hearing loss. The limitations imposed by each of these can usually be overcome with modifications of the hearing protection device (HPD) or with acclimatization time, allowing a lifetime of playing without the all-too-common “musicians’ hearing loss” and/or tinnitus. A review of these factors helps to delineate some of the perceptual issues that musicians may have with any change in the spectrum of their instrument—whether it is related to attenuation or amplification.
机译:尽管许多铜管演奏者,尤其是小号吹奏者成功地使用了高保真耳塞,但其他人却报告了使用上的问题。本文讨论了可能阻止黄铜演奏者使用听力保护装置的因素:这些因素包括:(a)缺乏适应时间; (b)由于进行强视而在开放的耳朵产生110至120 dB的声压级所产生的听觉失真,从而造成了“福斯蒂西摩光彩”的损失; (c)较浅的耳模密封,导致较大的闭塞效果; (d)密封性差,且声通道中的声质量不正确; (e)听力损失,即使是中等音量的演奏,许多谐波声也可能会被耳塞听不见,从而使终生的小号手出现高频听力损失。通常可以通过修改听力保护装置(HPD)或适应环境的时间来克服这些限制所带来的局限性,从而使演奏寿命终生而不会出现“音乐家的听力损失”和/或耳鸣。对这些因素的回顾有助于描述音乐家在乐器频谱变化方面可能会遇到的一些感知问题,无论这与衰减或放大有关。

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