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Jihadist visual communication strategy: ISIL's hostage executions video production

机译:Jihadist视觉沟通策略:ISIL的人质执行视频制作

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Based on a visual, verbal and aural quantitative and qualitative content analysis of the 62 execution videos produced by the Islamic State of Iraq and the Levant (ISIL) during its first year of existence (2014-2015), the aim of this research is to further the understanding of the inherent nature of the narratives spread by ISIL execution videos and to which audience(s) they are targeted. The authors adopt a bottom-up systematic approach of coding based on grounded theory to process visual and aural communication data as well as verbal communication of more than seven hours of ISIL hostage execution videos. In so doing, this research contributes to the understanding of multimodal communication interactions and the role of their discrepancies in framing fundamentalist ideologies. Moreover, the study adds perspective to previous research on Jihadist visual communication and audience studies. The results demonstrate how hostage execution videos discourse relies on 'framing packages' linked to values, norms and archetypes to create a recurrent and coherent organizational narrative aimed at segmenting ISIL's audiences.
机译:基于由伊拉克伊斯兰州和Levant(ISIL)在其第一次存在的62个执行视频的视觉,口头和听觉的定量和定性分析(2014-2015),这项研究的目的是进一步了解ISIL执行视频传播的叙述的固有性质以及他们所针对的观众。作者采用了基于接地理论的自下而上的系统的编码方法,以处理视觉和听觉通信数据以及超过七个小时的ISI Horike Mepeary视频的口头通信。这样做,这项研究有助于了解多式联态通信相互作用以及其差异在框架的原教旨主义意识形态方面的作用。此外,该研究为先前的Jihadist视觉通信和观众研究的研究增加了视角。结果表明,Hostage执行视频话语如何依赖于与价值观,规范和原型相关的“框架包”,以创建旨在分割ISIL的受众的经常性和连贯的组织叙述。

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