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Placing second: Empathic unsettlement as a vehicle of consubstantiality at the Silent Gesture statue of Tommie Smith and John Carlos

机译:第二个:泰米史密斯和约翰卡洛斯的沉默姿态雕像中的同情不列表

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摘要

In this article, I explore the material rhetorics of place from the perspective of transferential space. Specifically, I examine the Silent Gesture statue of Tommie Smith and John Carlos at San Jose State University. Drawing on Alison Landsberg's concept of transferential space and Dominick LaCapra's concept of empathic unsettlement, I argue that the statue explores the limits of identification in such a way that illuminates new possibilities for the rhetoricity of transferential space. Specifically, I argue that the statue's invitation to physically and metaphorically Take a Stand' with Smith and Carlos facilitates noteworthy tensions of civic identity and, in turn, fosters mnemonic practices of consubstantiality with the disenfranchised for its visitors.
机译:在本文中,我从转移空间的角度探讨了地位的材料修辞。 具体来说,我在圣何塞州立大学检查了Tommie Smith和John Carlos的沉默姿态雕像。 在Alison Landsberg的转移空间概念和Dominick Lacapra的概念上绘制,我认为雕像以这种方式探讨了识别的极限,以这种方式阐明了转移空间的relicity的新可能性。 具体而言,我认为雕像的邀请与史密斯和卡洛斯的身心和隐喻地采取立场,促进了公民身份的关注,而且反过来,促进了对其游客的歧视机构的宣言术语。

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