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THE FRIEZE OF THE ESQUILINE COLUMBARIUM AND ITS LITERARY SOURCE

机译:Esquiline Columbarium及其文学来源的蔓延

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摘要

The painted frieze (55-35 BC) found in Rome on the Esquiline near Porta Maggiore depicts some scenes from the legendary history of Rome, from the arrival of Aeneas to Romulus and Remus. Contrary to expectations, the picture is devoid of any traces of the fabulous - the vision of a white sow at the founding of Alba Longa, the figure of the god Mars in the scene of violence against Rhea Sylvia, a she-wolf who feeds the twins. Modern scholars assume that the artist followed the so-called "rational" historians - Valerius Antias and C. Licinius Macer. The article argues that the frieze is a kind of an illustration not to a historical, but rather to a poetical composition, possibly the Annales of Ennius.
机译:在罗马发现的罗马艺术弗里泽(55-35)附近的Porta Maggiore附近的一些场景描绘了罗马传奇历史的一些场景,从Aeneas到罗穆斯和雷姆斯的到来。 与期望相反,图片缺乏任何痕迹的痕迹 - 在阿尔巴朗加的成立中的白色母猪的视觉,神在暴力的神灵的人物对阵rhea sylvia的场景,这是一个喂养的她狼 双胞胎。 现代学者假设这位艺术家随后所谓的“理性”历史学家 - 瓦莱斯·南亚斯州和C. Licinius Macer。 文章辩称,弗里泽是一种不对历史的例证,而是为了诗意的构图,可能是恩尼乌斯的环顾。

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