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Calibrating Play: Sociotemporality in South Korean Digital Gaming Culture

机译：校准戏剧：韩国数字游戏文化中的益流岩

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ABSTRACT > This article examines the significance of digital gaming culture amidst broader institutional transformations in South Korea over the past several decades. Digital gaming is contextualized by a popular narrative about Korean society “speeding up” and complementary sociotemporal expectations for being and acting that stress qualities of both quickness and endurance. Approaching digital gaming's virtual‐ and actual‐world sites as nested “taskscapes,” I contend that calibration— processes that bring phenomena across different taskscapes into correspondence with one another—best describes how Korean digital gamers align their individual, embodied play with sociotemporal expectations. Specifically, I analyze two digital gaming practices in their ethnographic contexts—an e‐sports performance metric called “actions per minute” (APM) and an online gaming activity known as nogada —as modes for calibrating play with dominant sociotemporalities. The contrast between quick and slow sociotemporalities and the necessity of continual recalibration across taskscapes is a source of unending stress and frustration for many Koreans. Thinking with play as a disposition for calibration helps to make sense of everyday strategies for making do in precarious circumstances. [ digital games, temporality, play, South Korea ] </abstract> </span> <span class="z_kbtn z_kbtnclass hoverxs" style="display: none;">展开▼</span> </div> <div class="translation abstracttxt"> <span class="zhankaihshouqi fivelineshidden" id="abstract"> <span>机译：</span><abstract xmlns =“http://www.wiley.com/namespaces/wiley”type =“main”xml：lang =“en”> <title type =“main”>抽象</ title> >本文在过去的几十年里，审查了数字游戏文化在韩国更广泛的制度转型中的意义。数字游戏是由一个关于韩国社会“加速”和互补的循环期望的流行叙事的情调，对速度和耐力的压力质量进行互补。将数字游戏的虚拟和实际世界站点接近嵌套“拨号”，我争辩说，校准 - </ i>将不同的任务划分的流程与另一个最能描述韩国数字游戏玩家如何对齐他们的个人，体现了与社会期望的游戏。具体而言，我分析了他们的民族音译中的两个数字游戏实践 - 一种名为“每分钟动作”（APM）的电子运动性能指标，以及称为 Nogada </ i> -AS模式的在线游戏活动，用于校准游戏模式占主导地位的社会杂志。快速和缓慢的社会业主之间的对比以及跨追溯持续重新校准的必要性是许多韩国人的无休止压力和挫折的源泉。随着校准的思考，校准有助于了解岌岌可危的情况下的日常生活。 [数字游戏，暂时性，播放，韩国</ i>] </ p> </ abstract> </span> <span class="z_kbtn z_kbtnclass hoverxs" style="display: none;">展开▼</span> </div> </div> <div class="record"> <h2 class="all_title" id="enpatent33" >著录项</h2> <ul> <li> <span class="lefttit">来源</span> <div style="width: 86%;vertical-align: text-top;display: inline-block;"> <a href='/journal-foreign-18822/'>《American Anthropologist》</a> <b style="margin: 0 2px;">|</b><span>2018年第3期</span><b style="margin: 0 2px;">|</b><span>共12页</span> </div> </li> <li> <div class="author"> <span class="lefttit">作者</span> <p id="fAuthorthree" class="threelineshidden zhankaihshouqi"> <a href="/search.html?doctypes=4_5_6_1-0_4-0_1_2_3_7_9&sertext=Rea Stephen C.&option=202" target="_blank" rel="nofollow">Rea Stephen C.;</a> </p> <span class="z_kbtnclass z_kbtnclassall hoverxs" id="zkzz" style="display: none;">展开▼</span> </div> </li> <li> <div style="display: flex;"> <span class="lefttit">作者单位</span> <div style="position: relative;margin-left: 3px;max-width: 639px;"> <div class="threelineshidden zhankaihshouqi" id="fOrgthree"> <p>Institute for Money Technology and Financial InclusionUniversity of CaliforniaIrvine Irvine CA 92697 USA;</p> </div> <span class="z_kbtnclass z_kbtnclassall hoverxs" id="zhdw" style="display: none;">展开▼</span> </div> </div> </li> <li > <span class="lefttit">收录信息</span> <span style="width: 86%;vertical-align: text-top;display: inline-block;"></span> </li> <li> <span class="lefttit">原文格式</span> <span>PDF</span> </li> <li> <span class="lefttit">正文语种</span> <span>eng</span> </li> <li> <span class="lefttit">中图分类</span> <span><a href="https://www.zhangqiaokeyan.com/clc/187.html" title="人类学">人类学;</a></span> </li> <li class="antistop"> <span class="lefttit">关键词</span> <p style="width: 86%;vertical-align: text-top;"> </p> </li> </ul> </div> </div> <div class="literature cardcommon"> <div class="similarity "> <h3 class="all_title" id="enpatent66">相似文献</h3> <div class="similaritytab clearfix"> <ul> <li class="active" >外文文献</li> <li >中文文献</li> <li >专利</li> </ul> </div> <div class="similarity_details"> <ul > <li> <div> <b>1. </b><a class="enjiyixqcontent" href="/journal-foreign-detail/0704022561481.html">Calibrating Play: Sociotemporality in South Korean Digital Gaming Culture</a> <b>[J]</b> . <span> <a href="/search.html?doctypes=4_5_6_1-0_4-0_1_2_3_7_9&sertext=Rea Stephen C.&option=202" target="_blank" rel="nofollow" class="tuijian_auth tuijian_authcolor">Rea Stephen C. </a> <a href="/journal-foreign-18822/" target="_blank" rel="nofollow" class="tuijian_authcolor">American Anthropologist .</a> <span>2018</span><span>,第3期</span> </span> </div> <p class="zwjiyix translation" style="max-width: initial;height: auto;word-break: break-all;white-space: initial;text-overflow: initial;overflow: initial;"> <span>机译：校准戏剧：韩国数字游戏文化中的益流岩</span> </p> </li> <li> <div> <b>2. </b><a class="enjiyixqcontent" href="/academic-journal-foreign_detail_thesis/0204114948963.html">A Stage Theory Model of Professional Video Game Players in South Korea: The Socio-Cultural Dimensions of the Development of Expertise</a> <b>[J]</b> . <span> <a href="/search.html?doctypes=4_5_6_1-0_4-0_1_2_3_7_9&sertext=Sahoon H. 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for correcting defects of color digital images</a> <b>[P]</b> . <span> 外国专利：  BRPI0511401A </span> <span> . 2007-12-04</span> </div> <p class="zwjiyix translation" style="max-width: initial;height: auto;word-break: break-all;white-space: initial;text-overflow: initial;overflow: initial;"> <span>机译：校正照相机和/或显示设备的颜色以校正彩色数字图像的缺陷和缺陷的方法以及校正照相机和/或显示设备的颜色的装置和用于校正彩色数字图像的缺陷的设备 </span> </p> </li> <li> <div> <b>5. </b><a class="enjiyixqcontent" href="/patent-detail/06130434087009.html">Sudoku game with magnets comprises a north pole/south pole combination for each section of playing surface and each playing piece consisting of two axially magnetized magnets with identical dimensions and energy density per volume unit</a> <b>[P]</b> . <span> 外国专利：  DE202007003486U1 </span> <span> . 2007-06-14</span> </div> <p class="zwjiyix translation" style="max-width: initial;height: auto;word-break: break-all;white-space: initial;text-overflow: initial;overflow: initial;"> 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