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Messianic Figures in the Late Period of Majapahit: An Anthropological Approach in Historical Archaeology Issues

机译:Majapahit晚期的弥赛亚人物:历史考古问题中的人类学方法

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The strengthening of ancestor worship is often used by archaeologists and ancient history to explain many stepping-terras ( pundenberundak ) sites constructed in the late period of Majapahit. These sites deliberately constructed far from the capital, where were difficult to reach,normally in remote mountainous areas. Generally, those phenomena are explained as cultural phenomena emphasized on the roles of local genius without further explanation of the social context. This article attempted to explain the issues through anthropological approach, using the conceptsand theory of the emergence of messianic movements. Messianism is the emergence of the movement leaders who are considered to be able to save people from the multi-dimensional crisis as a result of the entrance of new values, disaster, social, political and religious disabilities. Messianicfigures were expected to recall the victory and the glory of the past, as well as dreams of a new nation. The hypothesis of this study was that the emergence of savior figures in East Java related to the multi-dimensional crisis of society in the late period of Majapahit. Those messianic figureswere Arjuna, Rama, Garudeya, Bima, and Panji . These figures, either one or together, were always carved as the relief in temples or caves, on the slopes of Mt. Penganggungan, Mt. Lawu, Mt. Argopuro, and Mt. Arjuna. The themes of seclusion or ascetic behavior in order to achieve victoryhad always been carried out as a hallmark of messianic figures. This factor became the reason why the sites in the late period of Majapahit were constructed far from the capital or the center of the kingdom.
机译:考古学家和古代历史往往使用祖先崇拜的加强来解释在马马卡特后期建造的许多踏步地区(庞德布伦德克)地点。这些网站故意从资本中建造,难以达到,通常在远程山区。通常,这些现象被解释为文化现象,强调了当地天才的角色而无需进一步解释社会环境。本文试图通过人类学方法来解释问题,使用弥赛亚运动的概念和理论。弥赛亚主义是由于新价值观,灾害,社会,政治和宗教残疾的入口而被认为能够拯救人们从多维危机中拯救人民的运动领导者的出现。预计混乱文件将回忆起过去的胜利和荣耀,以及新国家的梦想。本研究的假设是,东爪哇救世主救主人物的出现与Majapahit后期的社会多维危机有关。那些弥赛亚富有人的arjuna,rama,garudeya,bima和panji。这些数字,无论是一个或一起,总是被雕刻为寺庙或洞穴的救济,在Mt.Penganggungan,Mt.·瓦卢,Mt. argopuro和Mt.Arjuna。隐居或禁欲行为的主题是为了实现胜利哈尔始终被作为弥赛亚人物的标志进行。这个因素成为Majapahit晚期的网站的原因是距首都或王国的中心。

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