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Exhibition and bookThe evolution of a great mind: the life and work of Darwin

机译:展览和书籍伟大思想的演变:达尔文的生活和工作

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In 1966, an American graduate student was supervising my live-trapping of rats in a grain warehouse in Calcutta. A few years my senior, he was doing field work for his doctorate in ecology from a leading American research university. We recorded the numbers of fleas on each rat as part of a study of the transmission of plague. Some rats had far more fleas, and other rats had far fewer, than would have been expected from a random (Poisson) distribution of fleas. I began speculating to the graduate student that this over-dispersed frequency distribution had evolutionary implications. In that cramped, hot room stacked high with bags of grain, he said to me: "You know, I don't think I could ever believe in evolution." Uncharacteristically-because I was stunned speechless, not because of any great self-control-I kept my mouth shut. I learned then, and have never forgotten, that evolution's roots on my home continent may have penetrated the topsoil but have not yet breached the bedrock. Only in 1987, in Edwards v Arkansas, did the US Supreme Court proscribe the teaching of creation science in all American public schools.40 years too late for my Calcutta adventure, the exhibition Darwin would have been my best response to the mental fog in the minds of that then-young man and the 57% of today's Americans who, according to a public opinion poll, say they believe in, or lean toward, creationism. This exhibition and the accompanying book by the curator Niles Eldredge could not be more timely or more needed.
机译:1966年,一名美国研究生正在监督我在加尔各答谷物仓库中活捉老鼠的过程。在我大四的几年里,他在美国领先的研究型大学从事生态学博士学位的野外工作。作为鼠疫传播研究的一部分,我们记录了每只大鼠的跳蚤数量。与从跳蚤的随机分布(泊松)中所预期的相比,一些大鼠的跳蚤更多,而其他大鼠的跳蚤更少。我开始向研究生推测,这种过度分散的频率分布具有进化意义。在那挤满了谷物袋的狭窄热房间里,他对我说:“你知道,我认为我永远都不相信进化。”一反常态-因为我感到无语而震惊,不是因为任何强大的自我控制-我闭上了嘴。那时我才学到,并且从未忘记,进化论的根源可能已经渗透到了我的祖国大陆上,但还没有突破基岩。仅在1987年,美国最高法院才在爱德华兹诉阿肯色州案中禁止所有美国公立学校教授创造科学。对于我的加尔各答冒险来说已经晚了40年,达尔文展览是我对世界上精神迷雾的最佳回应。当时的年轻人和当今57%的美国人的心态,据一项民意调查显示,他们相信或倾向于神创论。策展人尼尔斯·埃尔德雷奇(Niles Eldredge)的这次展览和随附的书再合适不过了。

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