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Chemical composition of contemporary black printing inks based on infrared spectroscopy: Basic information for the characterization and discrimination of artistic prints

机译:基于红外光谱法的当代黑色印刷油墨的化学成分:表征和鉴别艺术印刷品的基本信息

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This article aims to provide the basic information necessary to afford the discrimination of artistic prints based on chemical information. The presence of original and non-original prints in the art market is a real problem, especially for contemporary artists. Most of the non-original elements can be distinguished on the basis of their stylistics and printing characteristics, but sometimes this information is not enough. To facilitate discrimination in these cases, we propose to add, to the previously indicated aspects, the chemical information of the materials involved in the production of the original series (inks, paper and pencil). Comparison of the composition of any element with that established for the original series will permit the attribution of any doubtful element. This article is focused on the evaluation of this approach by determining the chemical composition of contemporary black printing inks by infrared spectroscopy and by searching, on the basis of the information obtained, for criteria capable to discriminate between prints made of different inks. The success of the approach with this set of inks could easily be extended to the study of colour inks. The study also includes the characterization and discrimination of black pigments because they are the most characteristic component of these inks and because this information can also be useful for other artistic studies. The procedure proposed permits the analysis of inks with minimum deterioration of the artwork. Results indicate the capability of the approach because, following the procedure, it is possible to distinguish between black pigments attending to the presence of hydroxyapatite, silicate and some other specific bands, whereas black inks can be discriminated by paying attention to the inclusion in their composition of such pigments as bone black, Prussian blue, mars brown or other specific bands. Scanning electron microscopy analyses have corroborated the results obtained.
机译:本文旨在提供必要的基本信息,以区分基于化学信息的艺术作品。艺术品市场上原始和非原始版画的存在是一个现实问题,尤其是对于当代艺术家而言。大多数非原始元素可以根据其样式和打印特征加以区分,但有时此信息还不够。为了便于在这些情况下进行区分,我们建议在前面指出的方面增加原始系列生产中涉及的材料(墨水,纸张和铅笔)的化学信息。将任何元素的成分与为原始系列确定的成分进行比较,将可以确定任何可疑元素的归属。本文的重点是对这种方法的评估,方法是通过红外光谱法确定当代黑色印刷油墨的化学成分,并在获得的信息的基础上搜索能够区分由不同油墨制成的印刷品的标准。使用这种油墨组的方法的成功可以很容易地扩展到彩色油墨的研究。该研究还包括黑色颜料的表征和辨别力,因为它们是这些墨水的最特征成分,并且该信息也可用于其他艺术研究。所建议的程序可以对油墨进行分析,并最大程度地降低了图稿的质量。结果表明该方法的能力,因为按照该程序,可以区分存在羟基磷灰石,硅酸盐和某些其他特定谱带的黑色颜料,而可以通过注意其成分中的黑色来区分黑色油墨。诸如骨黑,普鲁士蓝,火星棕或其他特定色带的颜料。扫描电子显微镜分析证实了所获得的结果。

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