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Putting together ruralities: towards a symbolic analysis of rurality in the British mass media.

机译:整合农村:对英国大众媒体中的农村进行符号分析。

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In recent years, rural geography has become increasingly sensitized to the significance of rurality as a cultural construct. This paper examines the production and reception of mediated representations of rurality: that is, it focuses on senses of the rural conveyed by mass media such as television. The paper discusses claims that images of rurality can be understood as socio-spatializations. It then focuses on the rurality of British rural drama programmes, and particularly on 3 such drama series:Dangerfield, Heartbeat and Peak Practice. Drawing together a textual analysis of these programmes with research on their production and consumption, we explore the rurality produced through these television dramas, paying particular attention to the presence, and absence, of idyllic notions of the countryside. We suggest that while these programmes do enact idyllic constructions of rurality, their rurality is not simply reducible to this. We also highlight how these programmes may also enact particularsocial identities, including, but not exclusively, those of class. We argue in particular that the 3 drama series can be read as conveying, in a range of ways, senses of middle-classness. The overall argument of this paper is that the mediated ruralities of British rural drama programmes are enactments of social and spatial imaginaries, the complexity and effect of which are often ignored in their textual reduction to a middle class idyll.
机译:近年来,乡村地理越来越重视乡村作为一种文化构造的重要性。本文考察了农村中介媒介的产生和接受:也就是说,它着重于通过电视等大众媒体传达的农村感。本文讨论了关于乡村形象可以理解为社会空间化的主张。然后重点介绍了英国乡村戏剧节目的乡村风情,尤其是三个类似的戏剧系列:《危险地带》,《心跳》和《巅峰实践》。结合对这些节目的文字分析以及对它们的生产和消费的研究,我们探索了通过这些电视剧所产生的乡村,并特别关注乡村田园观念的存在与否。我们建议,尽管这些计划确实制定了田园诗般的乡村建设,但他们的乡村生活并不能简单地归因于此。我们还将重点介绍这些程序还如何制定特定的社会身份,包括但不限于阶级身份。我们特别认为,这三部戏剧系列可以理解为以多种方式传达中产阶级的感觉。本文的总体论点是,英国乡村戏剧节目的媒介化乡村是社会和空间虚构的产物,其复杂性和影响在将其文本简化为中产阶级田园诗时常常被忽略。

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