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Beyond the beat: Modeling metric structure in music and performance

机译:超越节奏:音乐和表演中的度量标准结构建模

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摘要

Current models for capturing metric structure of recordings of music are concerned primarily with the task of tempo and beat estimation. Even though these models have the potential for extracting other metric and rhythmic information, this potential has not been realized. In this paper, a model for describing the general metric structure of audio signals and behavioral data is presented. This model employs reson filters, rather than the comb filters used in earlier models. The oscillatory nature of reson filters is investigated, as they may be better suited for extracting multiple metric levels in the onset patterns of acoustic signals. The model is tested with several types of sequences of Dirac impulses as inputs, in order to investigate the model's sensitivity to timing variations and accent structure. The model's responses to natural stimuli are illustrated, both for excerpts of recorded music from a large database utilized by tempo-estimation models, and sequences of taps from a bimanual tapping task. Finally, the relationship of the model to several other beat-finding and rhythm models is discussed, and several applications and extensions for the model are suggested. (C) 2008 Acoustical Society of America. [DOI: 10.1121/1.3006382]
机译:用于捕获音乐录音的度量结构的当前模型主要涉及速度和拍子估计的任务。即使这些模型具有提取其他度量和节奏信息的潜力,但这种潜力尚未实现。本文提出了一个用于描述音频信号和行为数据的通用度量结构的模型。该模型采用谐振滤波器,而不是早期模型中使用的梳状滤波器。研究了谐振滤波器的振荡特性,因为它们可能更适合于提取声学信号的起始模式中的多个度量级别。为了研究模型对时序变化和重音结构的敏感性,对模型使用了多种类型的Dirac脉冲序列作为输入进行了测试。举例说明了该模型对自然刺激的响应,包括节拍模型利用的大型数据库中录制音乐的摘录,以及双手敲击任务的敲击序列。最后,讨论了该模型与其他几个节奏发现和节奏模型之间的关系,并提出了该模型的一些应用和扩展。 (C)2008年美国声学学会。 [DOI:10.1121 / 1.3006382]

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