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Therapeutic thinking in contemporary art Or psychotherapy in the arts

机译:当代艺术中的治疗思维或艺术中的心理治疗

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The purpose of this paper is to show the possibilities of art as a political and social tool, and the possible intersection of contemporary art, community, politics, and therapy, with reference to the activities and politics of the Museum of Contemporary Art of Barcelona, Spain (MACBA) and three artists of different nationalities. Some of these artists' works can be considered social interventions, demonstrating the close relationship between community work, therapy, and contemporary art. Moreover, these social interventions frequently provide a public voice for those who usually remain unheard: minority groups, people from different linguistic or cultural backgrounds, victims of trauma, etc.While originating in a largely artistic sphere, these practices can also serve to inspire and inform those of art therapy. Often, both in training and professional practice, there is little interaction between art therapy and contemporary art. Certain artworks by Sophie Calle, the interventions, projections, and design projects by Krzysztof Wodiczko, and the therapy produced by Lygia Clark, however, exemplify how one discipline can illuminate the other. A number of works by these three artists will be analyzed in relation to their therapeutic approaches and political effects.
机译:本文的目的是参考巴塞罗那当代艺术博物馆的活动和政治,展示艺术作为政治和社会工具的可能性,以及当代艺术,社区,政治和疗法之间可能的交集,西班牙(MACBA)和三位不同国籍的艺术家。这些艺术家的一些作品可以被视为社会干预,表明社区工作,疗法和当代艺术之间的密切关系。此外,这些社会干预措施经常为那些通常仍未听说的人提供公众声音:少数群体,来自不同语言或文化背景的人,遭受创伤的人等。告知那些艺术疗法。通常,在培训和专业实践中,艺术疗法与当代艺术之间几乎没有相互作用。 Sophie Calle的某些作品,Krzysztof Wodiczko的干预,投影和设计项目以及Lygia Clark的疗法,都例证了一个学科如何启发另一个学科。这三位艺术家的许多作品将根据其治疗方法和政治效果进行分析。

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