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Reexamining Modern Art

机译:重新审视现代艺术

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摘要

In 1905, Pablo Picasso was beginning his ascent to the pinnacle of the art world. One of thousands of struggling artists living and working in the bohemi-an Montmartre district of Paris, the 24-year-old Picasso would emerge from obscurity two years later with his groundbreaking canvas, "Le Demoiselles d'Avignon." Robert Rosenblum, a leading scholar of modern art, has called this painting "a detonator of the modern movement, the cornerstone of 20th-century art." The massive work, nearly eight feet square, shook the very foundation of the art world. By incorporating all three dimensions onto a flat canvas as jagged, faceted planes, Picasso shattered nearly every known artistic convention, pushing the limits of painting to the breaking point while creating Cubism. With one painting, the centuries-old artistic traditions perfected in the Italian Renaissance were set aside as relics of the past.
机译:1905年,毕加索(Pablo Picasso)开始攀登艺术界的巅峰。 24岁的毕加索(Picasso)是居住在波西米亚人的巴黎蒙马特地区的成千上万挣扎的艺术家之一,两年后,他以开创性的画布《阿维尼翁女神》(Le Demoiselles d'Avignon)从默默无闻中脱颖而出。现代艺术的领先学者罗伯特·罗森布鲁姆(Robert Rosenblum)称这幅画为“现代运动的引爆器,是20世纪艺术的基石”。占地近八平方英尺的庞大作品震撼了艺术界的基础。通过将所有三个尺寸都像锯齿状的多面平面合并到平坦的画布上,毕加索打破了几乎所有已知的艺术惯例,将绘画的极限推到了极限,同时创造了立体派。一幅画作,将意大利文艺复兴时期完美的百年艺术传统留作过去的遗物。

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  • 来源
    《USA today》 |2003年第2696期|p.42-45|共4页
  • 作者

    James F. Peck;

  • 作者单位

    European and American Art, The Philbrook Museum of Art, Tulsa, Okla.;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 政治、法律;
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