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Portrait of the artist as a young waiter. Feed the muse from a real endowment

机译:作为一个年轻的服务员的艺术家的画像。从真正的天赋中获得灵感

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The National Endowment for the Arts, our federal funding agency for culture, has an anomaly in its name: the word endowment. Since it was founded in 1965, the NEA has never been a true endowment —that is, a huge fund whose earnings in interest and dividends are used to support the arts. Rather, it is funded like most other government agencies, through annual appropriation by Congress. This affords conservative lawmakers a yearly opportunity to grandstand about the occasional bizarre NEA-sponsored work of art as a pretext for slashing the agency's funding. Consequently, the NEA's budget has plummeted from $176 million in 1992 to under $100 million today. The only way to stop this death spiral is to abandon the NEA and create a true endowment, funded by a short-term tax on entertainment, including the cultural corner that conservatives complain about most: Hollywood.
机译:我们的联邦文化资助机构国家艺术基金会(National Endowment for the Arts)在名称上有一个反常现象:捐赠一词。自从NEA成立于1965年以来,它从来就不是真正的捐赠基金,也就是说,它是一支庞大的基金,其利息和股息收入用于支持艺术。相反,它像大多数其他政府机构一样由国会每年拨款资助。这为保守派议员们提供了每年一次的机会,来展示偶尔出现的由美国国家航空航天局(NEA)赞助的奇特艺术品,以此作为削减该机构资金的借口。结果,NEA的预算从1992年的1.76亿美元下降到今天的不到1亿美元。阻止这种死亡螺旋上升的唯一方法是放弃NEA,并通过对娱乐业征收短期税(包括保守派最抱怨的文化角)好莱坞来创造真正的捐赠基金。

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