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Sitting outside: Conviviality, self-care and the design of benches in urban public space

机译:坐在外面:欢乐,自我护理和城市公共空间的长凳设计

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The urban bench has been romanticised as a location of intimacy and benign social serendipity, and problematised with regard to perceptions of unwelcome loitering. In this paper we explore embodied practices of sitting on benches within an urban context characterised by corporate-led regeneration and impacted by austerity urbanism, imperial history and ongoing racisms. Our schizocartographic methodology enables us to attend to the differentiated and shifting subjectivities and temporalities of bench users, and to emerging counter histories of space. The research is based on the case study of a central square in Woolwich, south-east London. This involved an eclectic combination of methods, including film-making, ethnography and interviews, and a cross-sectoral team of activists, academics and an artist. The paper starts by conceptualising public space with respect to lived experiences of marginalisation, arguing that architectural design is intrinsic to understanding micro-geographies of conviviality and care. The case study material is used first to provide a visual sketch of sitting and watching others in the square and then to address conviviality and the value of visibility and relative proximity in framing a mostly un-panicked multiculture. Third, we discuss agentic, yet critically aware, acts of self-care. Finally, our focus shifts to the design of the benches and the touching experiences of bodies sat in various ways, impacted by structural inequalities, yet differentiated by the particularities of individual or collective priorities. In conclusion we argue that attending to the precision of sitting on a bench can illuminate multiple temporalities of urban change in relation to both individual subjectivities and hegemonic structures. Further, the counter histories that emerge can inform policy and practice for inclusive urban design.
机译:城市长椅已经浪漫化,成为亲密和良性的社会偶然地位,并且在不受欢迎的游荡感方面也存在问题。在本文中,我们探讨了在城市背景下坐在长椅上的具体实践,这些背景以公司为主导的复兴为特征,并受到严厉的城市主义,帝国历史和持续的种族主义的影响。我们的地理制图方法使我们能够关注长凳用户的差异化和变化的主观性和时态性,以及新兴的空间反历史。该研究基于伦敦东南部伍尔维奇(Woolwich)中心广场的案例研究。这涉及折衷方法的结合,包括电影制作,人种志和访谈,以及一个跨部门的活动家,学者和艺术家团队。本文从关于边缘化生活经验的公共空间概念入手,认为建筑设计对于理解微妙的欢乐和关怀至关重要。案例研究材料首先用于在广场上提供坐着观看其他人的视觉草图,然后在构建大多数未恐慌的多元文化时解决欢乐感以及可见性和相对亲和力的价值。第三,我们讨论了自我照顾行为,但又具有批判性意识。最后,我们的工作重点转移到长凳的设计上,身体的接触体验以各种方式受到结构不平等的影响,但又因个人或集体优先事项的特殊性而有所不同。总之,我们认为,关注坐在长椅上的精确度可以阐明与个体主观性和霸权结构有关的城市变化的多个时间性。此外,反历史的出现可以为包容性城市设计提供政策和实践信息。

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