The Agathon Scene in Aristophanes' Thesmophoriazusae *

摘要

This article interprets Agathon's speech of self-justification in light of its dramaturgical functions within the prologue of Aristophanes' Thesmophoriazusae. Agathon refutes Inlaw's charges of homosexual effeminacy by outlining a theory of poetic composition according to which the poet changes his nature to create in himself the qualities of his characters and plays. The speech simultaneously works against Agathon's self-justification by portraying the tragedian as an elite intellectual whose theories are only valid within his own isolation.