Learning through laughing: an ‘African-American’ singer with ‘Japanese soul’ and the possibility of a new subjectivity in Japan

摘要

In this article, we argue that laughter can be a catalyst in learning about a new subjectivity - simultaneously African-American and Japanese - by analyzing an audience’s initial reaction to Jero, a young ‘African-American’ singer wearing hip hop attire who sings enka, a genre of music that is considered the ‘heart and soul of Japan’. Using television clips uploaded to YouTube and the viewers’ comments left on the sites as data, we analyze the audience’s laughter and amazement, followed by the question, ‘Why?’ and explanation of his background. Drawing on Hervé Varenne’s argument that learning occurs when we acknowledge our ignorance and seek to change it, we argue that the laughter marks their ignorance of such subjectivity, followed by learning as to why such subjectivity is possible. Challenging hegemonic behavior in daily life is often considered ‘bad sport’ and thus difficult. While involving complex relations of power of consumer-performer relations and authenticator-authenticated relations as well as a problematic race-talent link, we suggest that learning-through-laughing may be a new field worth exploring as an effective strategy for social change.View full textDownload full textKeywordslaughter, music, regimes of difference, subjectivity, Japan, African-American, learningRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13504630.2012.661999