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Neo-Maroon Narratives and Legacies of (Non)Sovereignty

机译:新栗色叙事与(非)主权遗产

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Neo-slave narratives elucidate the false discourse of freedom and the need for an ongoing project of abolition. Dionne Brand's At the full and change of the moon fits into this tradition, but reflects on the legacies of specific slaves: the Maroons. By analyzing the development of Terre Bouillante, the novel's fictional Maroon settlement, we can see how its legacy can be detrimental if seclusion is privileged. Yet, for some of this settlement's twentieth-century descendants, neo-marronage becomes useful to express forms offugitivity and (non)sovereignty. I suggest that neo-marronage, and its liminal positionality between slavery and freedom, citizenship and non-sovereignty, presents itself as a possible solution to current forms of neo-slavery. That is, neo-marronage represents a decolonial tactic that provides a way to reflect on forms of sovereignty that are not overdetermined by notions of absolute freedom.
机译:新奴隶的叙述阐明了关于自由的错误论述,以及对正在进行的废除计划的需要。狄安妮·布兰德(Dionne Brand)的《满月与变月》符合这一传统,但反映了特定奴隶的遗产:栗色。通过分析小说虚构的栗色解决方案Terre Bouillante的发展,我们可以了解到,如果隐居享有特权,其遗产将如何受到损害。但是,对于这个定居点的20世纪后代来说,新婚姻制度对于表达逃逸和(非)主权形式非常有用。我认为,新婚姻制及其在奴隶制与自由,公民身份和非主权之间的界限地位,可以作为对当前新奴隶制形式的一种可能解决方案。就是说,新婚姻代表了一种殖民主义策略,它提供了一种方式来思考没有被绝对自由概念所过分确定的主权形式。

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