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Alienation as Death: Technology, Capital, and the Degradation of Everyday Life in Elmer Rice's The Adding Machine

机译:作为死亡的异化:埃尔默·赖斯(Almer Rice)的《加法器》中的技术,资本和日常生活的退化

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摘要

Elmer Rice's 1923 play The Adding Machine is an exploration of the human effects of the replacement of workers by machines and a commentary on capitalist rationalization. It has continuing relevance to the disciplining and displacement of workers by information technology and robotics in the contemporary workplace. But Rice also develops a more far-reaching critique of the dehumanizing features of everyday life under capitalism. His portrayal resonates with Marx's understanding of alienation as the domination of the living by the dead. The Adding Machine suggests that everyday life under capitalism is the expression of this domination and the play explores the possibility of transcending such domination and self-alienation.
机译:埃尔默·赖斯(Elmer Rice)1923年的剧作《加法器》(Adding Machine)是对用机器代替工人的人类影响的探索,也是对资本主义合理化的评论。它与当代工作场所中信息技术和机器人技术对工人的纪律处分和流离失所有着持续的关系。但是赖斯也对资本主义下日常生活的非人性化特征提出了更深远的批评。他的写照与马克思对异化的理解相呼应,异化是指死者统治着活人。加法器表明,资本主义统治下的日常生活就是这种统治的体现,而戏剧探索了超越这种统治和自我异化的可能性。

著录项

  • 来源
    《Science as Culture》 |2009年第3期|261-279|共19页
  • 作者

    CHARLES THORPE;

  • 作者单位

    Department of Sociology, University of California, San Diego, 9500 Gilman Drive, La Jolla, CA 92093-0533, USA;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

    alienation; death; automation; utopia; Elmer Rice;

    机译:异化;死亡;自动化;乌托邦埃尔默·赖斯;
  • 入库时间 2022-08-18 02:20:11

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